

I recently acquired a copy of the August 1982 issue of In Touch magazine, which featured the photos of George Platt Lynes. Although Platt Lynes died of cancer over 25 years earlier, this was the beginning of the publication of his male nude photographs, which have now become recognized as his most memorable work.
Just a few months before, Jack Woody and Twelvetrees Press had published George Platt Lynes Photographs 1931-1955, an oversized hardcover book with introductory texts by Glenway Wescott, George Balanchine, and Lincoln Kirstein. Someone wisely permitted In Touch to publish a handful of Platt Lynes’ male nude studies, introducing his work to a whole new generation of gay men. Many of these photos were previously unpublished.

The models in the photo above are Charles “Tex” Smutney and Charles “Buddy” Stanley, subjects of some of Lynes’ most memorable photographs. Of Smutney, David Leddick wrote “few of Platt Lynes’s subjects so perfectly embodied youth and innocence as did this athletic, fair-haired figure.”
The image comes from the 30 photograph “Bedroom Series” of these two undressing and lying on a bed with a third model, Bradbury Ball. (below)





The above photo of The Ritter Brothers (ca. 1934) is now part of the Metropolitan Museum collection.


The subject of two In Touch photos is Blanchard Kennedy, a frequent model for Platt Lynes in the late 1930’s.



The three photos above from In Touch are part of an early 1950’s series of images taken around the bed in Lynes’ studio (see below). The models are unidentified, although the blond is sometimes misidentified as Alexander Jensen Yow or Ralph Pomeroy, two subjects who were also photographed seperately in or around the same bed.








Left to right: Gordon Hansen, Jack Fontan, Dick Beard, Unidentified

The final full-page photograph of an unidentified model illustrates the timeless artistry of Platt Lynes’ work.


Also featured in this issue is a profile of Warhol photographer Christopher Makos, who, like Platt Lynes, blurred the line between artistic and homoerotic photography.
For more on George Platt Lynes and his artistic influence, I highly recommend the documentary Hidden Master: The Legacy of George Platt Lynes.

See Also:
Kurt Bieber: From Little Me to Colt Model
Keith Haring In Heat Magazine (1992)
Artist’s Muse: Chuck Howard
Artist’s Muse: Randy Jack
Artist’s Muse: Ted Starkowski
Artist’s Muse: The Mystery Model
Artist’s Muse: José “Pete” Martinez
Artist’s Muse: Wilbur Pippin
Artist’s Muse: Forrest Thayer
Artist’s Muse: Donald Windham & Sandy Campbell
Provincetown PaJaMa Party
Fire Island PaJaMa Party
Fire Island Muses of George Platt Lynes & The PaJaMa Collective
Revisiting George Platt Lynes’ Fire Island Muses










Dear Brian Ferrari,
Most importantly, I want to thank you for the excellence of your blog. I have learned a lot from you. The careful research behind each post is evident, and I can only say “thank you.”
I’m writing, also, to mention that I have seen speculation that the (not Jensen Yow) blond guy on the bed is perhaps the poet Ralph Pomeroy. I don’t know if this is correct, but the guy on the bed does look somewhat like photos of Ralph Pomeroy. Evidence or not, the photo attached below was sold by an auction house as “Ralph Pomeroy No. 6.”
Take good care of yourself, Brian Ferrari. Best Wishes.
Bryan DeLeo (another Bryan with an Italian surname)

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love the sensuality of his work…and the beauty of the male body captured in his photo’s.
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