Brian Ferrari's Blog

Dusting Off The Holiday Favorites (2025)

*Volunteer Santas, NYC (1977) photo: Susan Meiselas*

I know I am not alone when I say that I take comfort in the annual repetition of the holidays: revisiting holiday-themed music, films, television shows… and now internet posts. Dave Holmes’ account of Patti LaBelle’s disastrous performance at the 1996 National Christmas Tree lighting is worth an annual revisit. Trust me.

Not to get meta or anything, but the post you are currently reading has been reworked and updated each year since 2020.

While we’re mining the past and dusting off our chestnuts, here’s the intro to the 1999 holiday episode of Bri-Guy’s Media Surf, an NYC Public Access show that featured yours truly lip-syncing a little Esquivel:

Whenever the song pops up on my holiday playlist, I still do this.

I find it interesting that we immerse ourselves in certain pop culture favorites for exactly 6 weeks of the year and then pack them up in mothballs with the ornaments until next year. I mean, Brenda Lee’s “Rockin’ Around The Christmas Tree” is currently at the top of the Billboard Hot 100. Burl Ives, Bobby Helms and Andy Williams are also in the top 10. Are any of them on your 4th of July playlist? They aren’t on mine.

*Gabe Pressman (left) with Marilyn Monroe (1956)*

I used to look forward to the annual Christmas Eve tradition on NBC New York’s evening news when reporter Gabe Pressman would read “Yes Virginia, There Is A Santa Claus.” I taped it in 2011, knowing that the tradition wouldn’t last forever. The self-described “little Jewish kid from the Bronx” was 87 years old at the time and continued to work at NBC until his death at age 93.

NBC New York reporter Gabe Pressman’s annual segment on Virginia O’Hanlon’s 1897 letter to the New York Sun Newspaper.

But wait! There’s more: My other blog posts of Christmas past are back to haunt you like A Christmas Carol, Mr. Scrooge.

I recently updated Your Guide To Gay Disposable Holiday Movies, highlighting 16 of the gayest Lifetime/Hallmark/Netflix movies of the past few years:

We now have four 60 Degrees Girl Group Christmas playlists! These have been running each week this month on East Village Radio. Click here for streaming:

11/30/2025 Christmas Show #1: Holiday 60’s chicks and girl groups featuring lots of songs about snow and snowmen, winters warm and cold, blue holidays and Christmas trees.

12/7/2025 Christmas Show #2: The Classic Christmas Episode – our first holiday show from 2008. Featuring Darlene Love, Carla Thomas, The Supremes, Honey & The Bees and more.

12/14/2025 Christmas Show #3: British singers, obscure soul Christmas tracks, favorites from the Spector stable of artists, Motown and more!

12/21/2025 – Christmas Show #4: Featuring soul divas, duets, a boogie woogie Christmas, country ladies, Chess gospel soul and some ladies that really want a Beatle for Christmas.

I recently posted about Truman Capote’s classic short story A Christmas Memory, which includes the entire text, Capote’s 1959 reading of the story, and a link to watch the Emmy Award-winning 1966 television version starring Geraldine Page. Highly Recommended.

There’s a new Motown Christmas Special this year that has already aired in prime time this month, featuring Smokey Robinson, Gladys Knight, Martha Reeves and The Temptations. Here is my take on the 1987 Motown Christmas Special – which featured very few Motown acts.

Here are 10 Things You May Not Know About March of The Wooden Soldiers, the Laurel & Hardy classic holiday film.

My Canine Christmas Tail is a true story about my dog Sunshine, a basset hound with an appetite for tinsel.

Have you watched Christmas In Connecticut yet this year? How about that delivery woman? After years of speculation, last year I was able to identify the actress as Daisy Bufford.

The original version of “¿Dónde Está Santa Claus?” is featured in “Llamacita,” a 2024 Amazon Prime holiday commercial. Here’s a little backstory on the song & Augie Rios, who sang the original version.

Also – would you like to hear my Spotify holiday playlist?

Way back in 2002, when Limewire was a thing and people listened to music on silvery discs, I started creating Christmas CD mixes that I would mail out or give to people. These were received with a heartwarming combination of feigned delight, veiled indifference and deafening silence. None of these CDs had a pressing of more than 20 copies. I’d like to call them “much sought after” – but no, that’s not really the case, although every once in a while, someone really got into them and would ask for copies of other volumes.

And so, I’m offering this simple playlist…. for kids from 1 to 92. Unfortunately some of the tracks on these dozen CDs are not on Spotify, but I keep adding songs that would be on the current CD volume… if there was one. And now the playlist is over 18 hours of holiday tunes. I recommend listening on shuffle – there’s something to irritate everyone. Enjoy!

Here’s one more nugget to stuff in your stocking: This vid went viral in 2011. Choreographed and performed by Alex Karigan & Zac Hammer of the Amy Marshall Dance Company, it was filmed in one continuous take at the New 42nd St. Dance Studios. There’s something infectious about it: the joy, the corniness, the celebratory queerness of it all. It makes me want to dust off my jazz shoes. Once a year.

Truman Capote’s Christmas Memory

“It’s fruitcake weather…”

A recent rerun of This American Life featured Truman Capote reading an edited version of his short story A Christmas Memory. Originally published in Mademoiselle magazine in December 1956, Capote’s reading was released on a 1959 LP:

The largely autobiographical story is set in early 1930’s Monroeville, Alabama and describes a holiday season in the lives of the seven-year-old narrator and an elderly woman who is his distant cousin and best friend. This classic holiday story has been broadcast, recorded, filmed, and staged multiple times.

You can find the entire text here.

A 1966 television version won the Peabody Award as well as Emmy awards for the teleplay and lead actress Geraldine Page. You can watch the entire 48 minute film on YouTube:

Biopics and the recent television series Feud: Capote vs. The Swans have focused on Capote’s later life and the mess that he became. It’s nice to revisit one of his finest early pieces of writing and remember what a brilliant talent he was.

*The infamous book jacket photo of Truman Capote from* Other Voices, Other Rooms. One critic commented, “He looks as if he were dreamily contemplating some outrage against conventional morality.” (1948)

Your Guide To Disposable Gay Holiday Movies (2025)

Since 2020, a few gay holiday films have dribbled out each December – not just on The Hallmark Channel but also on Lifetime, Netflix and elsewhere. I’m not here to crap on the genre, but there is a conveyor belt feel to these films. With the similar actors, sets, and plots, it can be difficult to remember which one had which fading star of yesteryear playing the mom. Obviously, if I didn’t get some enjoyment out of watching them, I wouldn’t tune in. But I don’t go all in for them, either. Please give me a combination of humor, wit, romantic chemistry, decent acting and/or a plot twist and I’ll stick with it. Check off more than a couple of those boxes and I might watch it again next year… if I can remember the title and what channel it was on.

In 2022, I put together a list of these movies to try and keep them straight, so to speak. What I didn’t realize at the time was that the following years would bring less, not more entries in the genre.

In December 2023, Queerty posted an article proclaiming, “The Hallmark Channel is gayer than ever this year!” As evidence, they had a massive list of exactly THREE movies that they considered gay. The first one, Catch Me If You Claus starred Luke Macfarlane in his 16^th movie for the network. Yes, the Bros co-star is gay in real life, but the character in the film is not. Kudos to him for continuing to be cast in straight roles, but… do we then count this as a gay film?

As a reminder: The Hallmark Channel premiered 42 – FORTY-TWO – new Hallmark Christmas movies that season. And we’re supposed to kvell because TWO of them are gay-ish? Honey, please.

The 2024 holiday season garnered even less results: A sequel to an ensemble film from 2023 with Hallmark’s resident gay Jonathan Bennett in the cast. He must have an ironclad contract.

In retrospect, 2020-2022 is beginning to look like the lavender age of inane gay holiday movies. Let the nostalgia begin!

Fortunately, with so many different streaming services, you can now find some of these movies on multiple outlets, giving evidence that maybe they weren’t quite so disposable after all.

1) The Xmas Setup (2020) – Lifetime, Hulu, Sling TV

Older star playing a parent: Fran Drescher
Romantic chemistry? Yes – this real-life couple generate a believable amount of TV movie warmth.

The Christmas Setup follows the story of New York lawyer Hugo (Ben Lewis) who heads to Milwaukee with his best friend Madelyn (Ellen Wong) to spend the holidays with his mom Kate (Fran Drescher). Kate arranges for Hugo to run into Patrick (Blake Lee), his high school friend and secret crush, who has recently returned after a successful stint in Silicon Valley. Hijinks begin.

2) Dashing In December (2020) – Amazon Prime

Older star playing a parent: Andie McDowell
Romantic chemistry? Some. I guess. It’s an enjoyable movie but I don’t see these boys staying together.

After Wyatt (Peter Porte) comes home for the holidays to try to convince his mother (Andie MacDowell) to sell the family’s Colorado ranch, he finds romance with the dashing new ranch hand (Juan Pablo Di Pace) who dreams of saving the property and its magical Winter Wonderland attraction.

It’s a nice surprise to see Andie McDowell here, but I am reminded of when comedienne Paula Poundstone described her face as “an egg with a smile drawn on it.”

3) Happiest Season (2020) – Hulu

Older stars playing the parents: Mary Steenburgen & Victor Garber
Sapphic chemistry? Yes, but not between the two that we’re supposed to root for.

This is the one with Kristen Stewart, Aubrey Plaza & Dan Levy. Stewart’s girlfriend invites her home for Christmas but fails to mention that she’s not out to her family and they must pretend to be friends. Hilarity ensues. A cut above Lifetime/Hallmark movies but I’m including it because it satisfies the same itch. Same genre, but overall higher quality thanks to the cast and Clea Duvall’s writing & direction. One caveat: I wanted Kristen Stewart’s character to end up with Aubrey Plaza. But that doesn’t fit the formula, does it?

Bonus points: Jinkx Monsoon & BenDeLaCreme are on hand for a couple of holiday songs.

4) The Christmas House (2020) – Hallmark+, Amazon Prime & Others

Older stars playing the parents: Treat Williams & Sharon Lawrence
Romantic chemistry? The gay married couple is peripheral here, so it’s not required. They’re fine.

This was the first Hallmark movie to feature a gay couple, even if they are supporting players. Jonathan Bennett is the gay son with Brad Harder as the devoted husband. They want to adopt kids – that’s their side plot. The straight brother has the romantic interest storyline, while the parents have decided to give up their traditional grand ole “Christmas House” which, like all the other houses in these movies, looks like a realtor’s model home with decorations recently purchased at Kohl’s.

5) The Christmas House 2: Deck Those Halls (2021) – Hallmark+, Amazon Prime & others

Older stars playing the parents: Same as above. R.I.P. Treat Williams. ☹
Romantic chemistry? Maybe I’m being a sap, but this couple grew on me.

The sequel to the above film. This time the brothers are competing on a reality show to create the best Christmas House. It’s harmless fun.

6) Clusterfünke Christmas (2021) – Paramount+, Roku, Amazon Prime

“A no-nonsense hotel exec buys a family inn in northern Maine, but the town’s Christmas spirit clashes with her cosmopolitan values.” This one’s actually a spoof of the genre written by and co-starring Rachel Dratch & Ana Gasteyer as the innkeepers. Out actor Cheyenne Jackson plays the straight romantic lead. If Queerty can claim the Luke Macfarlane movie as gay, then we get this one, if not for Jackson, then just for pure camp value.

7) Under The Christmas Tree (2021) – Lifetime Movie Club, Amazon Prime, Roku

Older stars playing the parents: Wendy Crewson & Enrico Colantoni. Ricki Lake is also on hand.
Sapphic Chemistry? Yes

As described in Vulture: Lifetime’s new and first-ever lesbian Christmas movie is a legitimately good queer film in which the main character, Alma (Elise Bauman), is not only accepted by her Maine-based, small-Christmas-business-owner parents for being a lesbian but encouraged to fall in love with out-of-town stranger Charlie (Tattiawna Jones). Cheesy as it is, the premise is as sweet as it is predictable with plenty of fun, memorable scenes and unexpected moments thrown in.”

8) Single All The Way (2021) – Netflix

Older stars playing the parents: Kathy Najimy & Barry Bostwick with Jennifer Coolidge as the diva aunt.
Romantic chemistry? Yes

Peter (Michael Urie) finds out his boyfriend is married. They break up and he invites his best friend home with him for Christmas to pretend they’re a couple. His mom tries to set him up with Luke Macfarlane anyway. You’ll never guess who he ends up with. This one beat out Under The Christmas Tree to win the GLAAD Media Award for Outstanding TV Movie. Probably the best of the bunch, and not just for this monologue:

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9) The Holiday Sitter (2022) – Hallmark+, Roku, Amazon Prime & others

Older stars playing the parents: NONE
Romantic chemistry? Not that I recall.

Another Hallmark movie with resident gay Jonathan Bennett. Now he’s a workaholic from the big city who gets stuck watching his sister’s kids because of a snowstorm and she’s pregnant and going into labor or something. He recruits hunky neighbor Jason (George Krissa) to shepherd the precocious children through an endless list of absolutely necessary holiday activities. Bennett’s first major role years ago was in the movie Mean Girls. He also co-wrote this script, in which he actually tells the family dog “Stop trying to make ‘fetch’ happen.” I have nothing more to say.

10) A Christmas To Treasure (2022) – Lifetime, Hulu

Older stars playing the parents: Nobody I recognize. Maybe they’re big in Canada?
Romantic chemistry? NONE.

A real-life gay couple with no chemistry try to find a hidden treasure… before it’s too late! 33-year-old Tyler Frey and 41-year-old Kyle Dean Massey are supposed to be high school sweethearts reunited with each other and their friends: two racially diverse straight couples. Everyone’s on an elaborate treasure hunt somehow engineered by a beloved frail old neighbor just before she croaked. However, nobody really needs the money except Frey, who wants to save the grand ole Marley house (again, a model home decorated at Kohl’s.) Someone actually says “I don’t need the money. I’m here for the cocoa.”

This one broke me. Who are these people? This movie is a painful reminder that a film can be racially diverse, but it certainly isn’t class-wise. If everyone’s so damn rich, why don’t they just give Frey the money to save the house? This one caused me to take a long break from viewing these movies. But now it’s a new season, and here we are.

11) Holiday Exchange (2024) – Tubi, Roku, Amazon Prime

Older stars playing the parents: Real Housewife Kyle Richards plays Mom.
Romantic chemistry? STILL NONE.

The aforementioned Tyler Frey wrote the screenplay and again stars with husband Kyle Dean Massey in this gay version of the Kate Winslet/Cameron Diaz rom-com The Holiday. Afraid that I was being mean to these two, I turned to the IMDB comments to reaffirm my original conclusions: this movie is bad and the couple has no chemistry. Sorry.

12 & 13) Christmas on Cherry Lane / Season’s Greetings From Cherry Lane (2023/2024) – Hallmark +

There are actually four of these Cherry Lane Christmas movies – all are centered on the same house is different eras. Omnipresent Jonathan Bennett plays opposite Vincent Rodriguez III in two of them.

14) Friends and Family Christmas (2023) – Hallmark+ and others.

This one centers on lesbian friends (Humberly Gonzalez & Ali Liebert) who must pose as a couple for the holidays… and you’ll never guess what happens!

15) A Keller Christmas Vacation (2025) – Hallmark+

This ensemble piece stars (surprise!) Jonathan Bennett as one of three adult siblings who reluctantly join their parents on a Danube river cruise for Christmas, leading to family bonding, unexpected romance, and resolving old issues amidst European Christmas backdrops. The movie focuses more on family dynamics than typical Hallmark romance.

16) The Christmas Baby (2025) – Hallmark+

Hallmark’s singular gay-centric movie of 2025 is set to premiere on December 21st. Ali Liebert and Katherine Barrell play a lesbian couple who find a baby left on their doorstep. This leads them to explore fostering and adoption during the holidays.

Happy Holigays!

Some Thanksgiving Treats For You (2025)

Ok – I admit it: I am one of those people who started playing Christmas music last week. Yesterday the Christmas lights went up. I don’t normally rush this, but this rotted year has really done a job on me. However, I am comfortable enough in my middle-aged fruitiness to freely quote Auntie Mame at you: We need a little Christmas. Now.

One of my favorite holiday CDs of recent years is Tracey Thorn’s Tinsel & Lights – a smart collection of original and non-traditional holiday-themed songs perfectly suited to the Everything But The Girl singer’s melancholy voice.

The lead track, Joy (written by Thorn) has been on repeat in my home every December since its 2012 release. When I first posted this in 2020, the song felt like it was tailor-made for that pandemic holiday season.

The opening lyric:
When someone very dear / calls you with the words “Everything’s all clear.” / That’s what you want to hear / but you know it might be different in the new year. / That’s why / That’s why / We hang the lights so high: Joy.

Now, as 2025 limps to a close, it’s a different lyric that strikes a chord:

So light the winds of fire / and watch as the flames grow higher / we’ll gather up our fears / And face down all the coming years / All that they destroy / And in their face we throw our Joy.

Here are some other Thanksgiving-themed goodies I have previously posted:

When it comes to holiday music, unfortunately Thanksgiving is lost in the long shadow of Christmas. There’s a severe lack of Thanksgiving songs, aren’t there? All we’ve got is “Let’s Turkey Trot” by Little Eva, and even then it is not really about Thanksgiving at all. The song’s title refers to the Turkey Trot, a dance step popular back in the early 1900’s.

“Let’s Turkey Trot” was Eva Boyd’s third single, released in 1963 with the hopes of recapturing the #1 success of her debut platter, The Loco-Motion. It had a respectable showing on the charts, peaking at #20, although it should have been billed as Little Eva & The Cookies, as the backing group is as much a part of the success of the record as the lead. Group member Earl-Jean McCrea delivers solo lines echoing their own hits Chains & Don’t Say Nothing Bad About My Baby, which also featured Little Eva on background vocals.

Here’s an abbreviated performance by Little Eva on Shindig in 1965. Darlene Love and the Blossoms stand in for the Cookies in what must be one of the proudest moments of their career. Gobble Diddle It!

The Dollyrots also covered this track in 2014. Besides using footage of Little Eva’s Shindig performance throughout the video, they also namecheck “Little Eva back in ’63”:

Want some “Mashed Potatoes” with your “Turkey Trot?” Here’s Dee Dee Sharp with her own ode to a Thanksgiving staple / dance move:

Aaaaand some “Gravy” for your mashed potatoes:

Here’s a newly updated and expanded version of a post that originated in 2019: 10 Things You May Not Know About March of The Wooden Soldiers, the Laurel & Hardy classic holiday film that is required viewing on Thanksgiving morning.

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On the darker side… one of the faux trailers from Quentin Tarantino’s Grindhouse is the hilariously spot-on Thanksgiving, directed by Eli Roth. It is entirely plausible that someone would have jumped on the bandwagon of grade-z holiday themed horror films that followed the success of Halloween. But this one is a fake. In 2023, Roth did put out a full movie version of Thanksgiving. The original trailer retains it’s own seedy charm:

During the Thanksgiving episode of SNL in 1997, Lilith Fair stand-up comic Cinder Calhoun (a recurring character played by Ana Gasteyer) & singer Sara McLachlan paid a visit to Norm MacDonald and the Weekend Update desk, singing the Thanksgiving classic “Basted In Blood.” It would not be nearly as funny if they didn’t sing it so well.

Unfortunately this segment seems to have fallen off the annual SNL Thanksgiving Eve prime time special.

In 2019, Ana Gasteyer released a holiday album: Sugar & Booze. Highly recommended!

Happy Thanksgiving!

March of the Wooden Soldiers: 10 Things You May Not Know About The Classic Film

It’s hard to believe that the Laurel & Hardy holiday classic March of the Wooden Soldiers debuted 91 years ago. Originally released as Babes In Toyland on Nov. 30, 1934, the holiday perennial was based on Victor Herbert’s popular 1903 operetta. The film came out of Hal Roach studios and was co-directed by Gus Meins and Charles Rogers.

Here’s the trailer:

I originally posted this celebration of the film on the 85th Anniversary. Here is an updated and expanded version:

10 Things You May Not Know About March of The Wooden Soldiers

1) In addition to Babes In Toyland, the film was also re-released under several different titles, including Laurel and Hardy in Toyland and Revenge Is Sweet. This was sometimes due to the estate of Victor Herbert withholding rights to the original title. In the book March of the Wooden Soldiers: The Amazing Story of Laurel & Hardy’s Babes In Toyland, Randy Skretvedt writes; “Ella Herbert Bartlett detested the film and didn’t want the name Babes In Toyland to be further besmirched by its association with Laurel and Hardy.”

2) Although the 1934 film includes many of the characters in the original operetta, the plot is almost completely different. Six musical numbers from the original stage score are featured: “Toyland”, “Never Mind Bo-Peep”, “Castle in Spain”, “Go to Sleep (Slumber Deep)” and the instrumental “March of the Toys”. Additionally, an instrumental version of “I Can’t Do The Sum” is used to underscore many scenes.

3) The villainous Silas Barnaby was played by 22-year-old Henry Kleinbach. He later changed his name to Henry Brandon and appeared in over 100 films throughout his 60 year career.

Brandon played essentially the same character as an opera impresario who torments poor, poor Alfalfa in Our Gang Follies of 1938.

20 years later he played Acacious Page in film Auntie Mame.

Another fun fact: Brandon’s partner for the last 25+ years of his life was Mark Herron, who was briefly the 4th husband of Judy Garland.

In 2018, Bill Cassara and Richard S. Greene published Henry Brandon: King Of The Bogeymen.

You can also find out more about Henry Brandon here

4) Our Gang (aka The Little Rascals) also filmed at Hal Roach studios. Several of the kids appear as schoolchildren in Toyland, although not dressed in their Our Gang costumes as in this photo atop Mother Peep’s Shoe-house.

Laurel & Hardy introduce Spanky to “pee wees” in this promotional photo shoot.

One of the most popular Our Gang / Little Rascals shorts, Mama’s Little Pirate was filmed the same year and has an extended sequence shot in the caves of Bogeyland. Gus Meins directed both films.

Another Our Gang connection: two graduates of the silent era, Johnny Downs and Jean Darling appear as Little Boy Blue and Curly Locks:

*Johnny Downs and Jean Darling as Little Boy Blue and Curly Locks*

*Queen of Hearts Alice Moore with a couple of Little Rascals.*

5) Felix Knight played romantic lead Tom Tom and fell in love with co-star Alice Moore, who played the Queen of Hearts. They were married the following year.

Behind the scenes, l-r: Alice Moore (Queen Of Hearts) Charley Rodgers (Simple Simon and the film’s co-director), Felix Knight (Tom Tom), Charlotte Henry (Bo-Peep) and Henry Brandon (Barnaby). Note the Three Little Pigs masks and padding hanging in the background.

Knight also appeared with Laurel and Hardy in their 1936 film – The Bohemian Girl:

6) Marie Wilson makes an early film appearance as Mary Quite Contrary. Her later work in film, radio and television (most notably My Friend Irma) garnered her three stars on the Hollywood Walk Of Fame.

“NO, I haven’t seen them!” Marie Wilson as Mary Quite Contrary

7) Who’s Afraid Of The Big Bad Wolf? An instrumental version of this song is used to underscore scenes with the Three Little Pigs. However, the song is not from the Babes In Toyland operetta – it was originally featured in the 1933 Disney short Three Little Pigs and has been covered by everyone (surprisingly) from Barbra Streisand to LL Cool J.

8) About those pigs…. Elmer, the kidnapped pig was played by a little person – 2′ 11″ Angelo Rossito. He appeared in 70 films spanning from the silent film era to his role as “The Master” in Mad Max Beyond Thunderdome (1985).

*Angelo Rossitto in* Freaks (1932) and Mad Max Beyond Thunderdome *(1985)*

The two other pigs were played by child actors:

Payne B. Johnson has said that he was cast as Jiggs because, unlike the other children auditioning, he didn’t complain about the heavy mask and padding. Although only four years old, this was his eleventh film credit. He would later appear in a handful of Our Gang shorts, including Our Gang Follies of 1938 with Henry Brandon.

As of 2025, he is the last surviving major player from the film.

*Edward Earle Marsh toured as a child prodigy pianist/composer.*

And THIS little piggy…. was a porn star! Willie was played by Edward Earle Marsh, a child prodigy pianist/composer who later performed on Broadway with the stage name Edward Earle. In 1969, he reinvented himself as Zebedy Colt, a gay cabaret singer. He kept the name as he directed and performed in both straight and gay adult films through the 1970’s & 80’s.

Someone needs to write a book about this guy.

9) The film became a broadcast television staple on Thanksgiving and Christmas Day in the early 1960’s. I grew up watching the film on NYC’s WPIX Channel 11, which continues to air the film to this day. In 1990 they switched to the colorized version, and in 2018, due to viewer requests, they began airing restored black and white and colorized versions at different times during the day.

Some may remember a shorter version of the film airing on television years ago. This 73-minute edit was trimmed for theatrical re-release in 1950. Due to the objections of Victor Herbert’s estate mentioned above, the title of the film was changed and the opening sequence shortened to omit “Babes In Toyland” from Mother Goose’s book.

Motion picture censors in 1950 objected to the unmarried Tom Tom and Bo Peep snoozing together at the end of the song “Go to Sleep (Slumber Deep).” The whole sequence was cut.

This edited version of the film had fallen into public domain and was broadcast on television in the 1980’s. Any susequent restored prints or colorized versions of the film run at the original 79 minute length.

If it isn’t broadcast in your area, you can watch the full movie here:

10) Bearing in mind that the source material is the original operetta and not this film, there have been numerous wildly different versions of Babes In Toyland:

Between 1950 and 1960, there were three television productions broadcast during Christmas seasons, including one featuring Barbara Cook and Dennis Day in 1955.

Walt Disney’s Technicolor™ 1961 film version starred Annette Funicello and Ray Bolger.

A 1986 made-for-television version featured Drew Barrymore, Keanu Reeves and “a royal legion of tacky trolls” with only two songs from the Victor Herbert score, a new plot, and new songs by Leslie Bricusse.

Click the link to see the full movie on Youtube:

An 1997 animated film version, with a new plot and only one of the original songs, featured the voices of Christopher Plummer and Lacey Chabert.

These other versions come and go, but none feature Stannie Dum and Ollie Dee… a gay wedding… nightmare-inducing pig masks … a monkey inside a knockoff Mickey Mouse costume… or carpet-clad Bogeymen with visible zippers and padding.

Join me in wishing a happy 91st birthday to a Hollywood holiday classic!

For more information, I highly recommend the book March of the Wooden Soldiers: The Amazing Story of Laurel & Hardy’s Babes In Toyland by Randy Skretvedt.

A NEW Halloween 60’s Girl Group Playlist

It’s hard to believe that it has been 17 years since I put together the first Halloween show for 60 Degrees with Brian Ferrari, my weekly radio program featuring “60’s chicks and girl groups – the hidden gems, cult favorites and unreleased obscurities of the decade.” The show ran for five years and has been back on the air since the relaunch of East Village Radio in July, 2024. This Halloween episode was originally broadcast on October 27, 2008 and aired every Halloween for the duration of the show’s run.

This year we have a new show! Halloween 60 Degrees Part II: Electric Boogaloo is streaming here:

Once again, we’ve got soul witches, rockabilly rabble-rousers, death discs, horror movie theme songs, science fiction sirens, girls driven to madness by love, and more dead boyfriends than you can shake a broomstick at. Plus a whole lot more! As with every episode, the songs are interspersed with vintage commercials, sound effects and movie clips.

The first Halloween show is also available to stream HERE.

The first Halloween show was also posted to Youtube a few years ago. There are three segments with visuals and some minor alterations.

Part 1:

Reparata & the Delrons – Panic
Babs Tino – Dr. Jeckyll and Mr. Hyde
Sparkle Moore – Skull & Crossbones
Wanda Jackson – Riot In Cellblock 9
Southern Culture On The Skids – Torture
France Gall – Frankenstein
The Crystals – Frankenstein Twist
Hayley Mills – Jimmy Bean
Claudine Clark – Walking Through A Cemetery
The Sham-ettes – Hey There Big Bad Wolf

Part 2:

Hayley Mills – Cranberry Bog
The Shangri-La’s – Give Us Your Blessing
The Satisfactions – Daddy You Just Gotta Let Him In
The Goodees – Condition Red
The Nu-Luvs – So Soft, So Warm (Dressed In Black)
The Whyte Boots (Lori Burton) – Nightmare
Glenda Collins – It’s Hard To Believe It
Judy Garland – Purple People Eater
The Kane Triplets – Theme From Mission Impossible
Tracy – Strange Love
Mikki Young – Who Killed Teddy Bear?
Patti Seymour – The Silencer
Josie Cotton – Maneaters (Get Off The Road)

Part 3:

Janie Jones – Witches Brew
Martha & The Vandellas – Mobile Lil The Dancing Witch
Bettye Lavette – Witchcraft In The Air
Erma Franklin – Abracadabra
Dusty Springfield – Spooky
Marie Applebee – The Boy Who Took My Heart (took my mind)
The Love Chain – The Love Chain
Peggy Lee – The Case of M.J.
Janie Jones – Psycho
The Martin Sisters – Mother Mother (I Feel Sick)
Julie Budd – All’s Quiet On West 23^rd St.
Gayle Haness – Johnny Ander
The Indigos – He’s Coming Home
Cass Elliott – The Costume Ball
Teacho & The Students – Chills & Fever
Dusty Springfield – Haunted

60 Degrees is always kinda cool, but at this time of year, its downright bone-chilling!

Remembering Photographer Lucas Murnaghan On His 50th Birthday

September 26, 2025 would have been Lucas Murnaghan’s 50th birthday. The celebrated underwater photographer and orthopedic surgeon lost his battle with cancer nearly 5 years ago on March 21, 2021. His longtime partner Antonio Lennert has kept his legacy alive with reissues and reprints of his finest photos.

From Murnaghan’s website: “Lucas was never defined by a single identity. He was an orthopaedic surgeon, a healer who combined precision with deep empathy. He was a photographer, whose underwater lens revealed truths about intimacy, masculinity, and vulnerability that had rarely been seen before. He was an entrepreneur, a teacher, and a storyteller. But above all, he was a human being whose curiosity, humour, and generosity touched everyone around him.”

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In a 2020 Ted Talk, Murnaghan charted his path as an uptight overachiever following the family tradition by becoming a doctor, coming to terms with his sexuality and the circumstances that led him to become a full-time photographer and entrepreneur in recent years.

I started following Lucas on Instagram in 2018. I knew nothing about him but his photographs spoke for themselves: stark, striking images that often played with what he described as “the balance between vulnerability and confidence, pride and shame, solitude and connection.”

Murnaghan’s photo *Suspended Animation* on the cover of Bruno Capinan’s 2018 CD.

When he began to promote his photography, his initial impulse was to hide his “day job” as a medical doctor, feeling that it prohibited him from being taken seriously as a photographer, or having an artistic point of view.

“I felt like I was entering the art world from the side door. Well, as it turns out, there is no front door. As an artist, that’s all we can do… gather up our entire lives and transmit it into our work. To do anything less than that is to not be honest with ourselves or our audience.”

*Singer/songwriter Derek Macolly is the subject of several Murnaghan photographs.*

For more images and information regarding his book Beneath The Surface, please visit www.lucasmurnaghan.com/

From the website:

“Today, as we celebrate his 50th birthday, we also celebrate the many lives Lucas touched—from his patients and colleagues to his collectors, collaborators, and friends. His photography remains not only a body of work, but a legacy: one that continues to challenge, inspire, and connect us.”

Mandate 1988: New York Redefines Drag

I recently happened upon a very special and atypical issue of Mandate. The June 1988 edition of this skin magazine is the “N.Y. Gender F..k” issue. Although it contains 6 regular photo layouts of masculine models – including 3 Brazilian Kristen Bjorn models and the burly bear on the cover – there are also several articles devoted to drag performers such as Charles Busch and John Epperson. Elsewhere in the issue is an editorial on “Nellyphobia” (or “Nelliphobia,” depending on whether you go with the spelling on the cover or in the article). It’s not a scientific study, really.

As a whole, the drag/genderfuck theme was not quite the regular magazine filler one would expect. I am curious as to the reaction that it received at the time.

Today, the article “New York Redefines Drag” serves as a history lesson on the late 1980’s drag scene.

I was unfamiliar with Cutter Sharp / Razor Sharp / Ultra Sharp, so I asked a fellow lifetime queer New Yorker of a certain age. He recalled; “(Cutter) was out and about NYC in the late ’80s and early ’90s. He was on (local public access game show) Be My Guest with Sybil Bruncheon… and he appeared at Night Of A Thousand Gowns with the Imperial Court as Empress Razor Sharp. He held a seminar at the Gay & Lesbian Center on Drag Queen Enlightenment. He also did reports on GCN (Gay Cable Network) from The Monster, The Saint, The Pyramid, and other clubs.” I also learned that Cutter Sharp was known as a professional hair stylist and that his name appears on a 1994 panel of the AIDS quilt.

John Burke, aka Sybil Bruncheon, Charles Busch, and David Drake are interviewed in the article as well. The three are still active, all these years later. If you don’t know their work, Google ’em.

Next up is an interview with John Epperson – the legendary Lypsinka. Epperson is still going strong, 40 years into his career.

Mike Varady coined the term “Nelliphobia” and challenges it in an editorial piece about the shaming of feminine men. “We are supposed to avoid being a stereotype, which is any person who happens to have at least a glimmer of truth as far as being a gentle person, a nonfighter – something to be proud of – is concerned.”

While some of Varady’s conclusions and/or choices of phrase now seem dated, he was certainly hitting upon an issue not often discussed in gay skin magazines at that time: a push-back against gender conformity. “The notion that ‘We’re just like everyone else, except for…’ is foolish… and quite damaging to us.”

In his closing paragraphs, Varady admits that the piece is bound to be unpopular with readers, that he has created “a headache for the editors” with anticipated angry response letters. But he goes one step further:

“Who knows? Maybe someday we’ll even read an erotic story or have nude photos in Mandate in which a willowy queen is the sex object! Now that would really be destroying a stereotype!”

Even the music section of this issue is planted firmly in downtown genderfuck. The music documentary Mondo New York is featured with performances by Joey Arias, Dean Johnson and John Sex.

Remembering Bob Harrington

While doing research for my previous post about a 1990 tour of gay Greenwich Village, I found a December 1991 clipping from Bob Harrington’s “Bistro Bits” column tucked into my journal. Harrington’s column was a regular feature in the performing arts publication Back Stage. In pre-internet days, performers would buy this print weekly for the audition listings. “Bistro Bits” was a column highlighting the cabaret scene. It was here that the annual Bistro Awards began in 1985 – created by Harrington to honor excellence in cabaret .

Another prominent feature in Back Stage at the time were the obituaries. Every week there would be death notices for entertainment industry professionals – usually young men dying far too young of “undisclosed causes.” This was at the height of the AIDS crisis and the stigma surrounding it may be lost on those too young to remember. “AIDS complications” were seldom cited in obituaries and listing it as a cause of death could be considered slander. That said, some men began to request its inclusion in their eventual obit: a final act of defiance in a world that was dragging its feet to find a cure.

I mention this to give some context to the level of courage it took for Harrington to write this column.

Robert William Harrington was born on October 2, 1950 in Richmond Hill, Queens and grew up in East Meadow on Long Island. Harrington graduated from East Meadow High School in 1968. He was just a couple of years younger than both of my parents, who graduated from W.T. Clarke, East Meadow district’s other high school. He then went on to study at SUNY Oneonta, where he graduated in 1972.

Harrington honed his writing skills while working as a bartender and became known as an expert on the cabaret scene. In 1982, he began writing a column for the Long Island monthly magazine NightLife. He continued writing for the publication when they moved to New York City in 1984 and also launched his “Bistro Bits” column in Back Stage. In 1986, he began contributing reviews for the New York Post, and was an occasional guest on Joe Franklin’s local television talk show.

Harrington was a driving force behind the Manhattan Association of Cabarets and Clubs and also very active with Hearts & Voices, an organization that brought music to AIDS patients.

A few months after his announcement in Back Stage, Harrington was quoted as saying; “I’ve gotten tons of letters from people who have survived five, ten years with AIDS. This is the ’90s. We don’t have to die, we’re gonna make it.”

Bob Harrington died on October 19, 1992. He was 42 years old and was survived by his mother and three brothers.

A tribute was held at Caroline’s on November 12, 1992. The show was hosted by Jamie deRoy with performances by Julie Halston, Nancy Lamott, Jim Caruso, Margaret Whiting and Karen Saunders. All proceeds went to Hearts & Voices.

Another tribute took place the following month:

The following year, The Bistro Awards named Rosemary Clooney as the first recipient of their highest honor: The Bob Harrington Lifetime Achievement Award.

Back Stage editor-in-chief Sherry Eaker spent several years compiling Harrington’s “Bistro Bits” columns into a book. The Cabaret Artist’s Handbook: Creating Your Own Act in Today’s Liveliest Theater Setting was published in 2000.

In Touch For Men: A Tour of Gay Greenwich Village (1990)

I recently found myself perusing (as one does) the January, 1990 issue of In Touch For Men. An article titled Touring Around The Village caught my eye. Wesley Allen took a walking tour around Greenwich Village, writing about the gay bars, shops, and restaurants.

This was the New York City that I fell in love with – the one I would visit on day trips from Long Island and was finally able to move to the following year. (See The Lion In The Emerald City and 1991: Homo Alone for more on that. ) These were the shops I frequented and a couple of the bars, too.

Of the 26 businesses mentioned here, four of them still exist at the same locations: The Monster, Ty’s, Marie’s Crisis, and Julius. Around the time that this magazine hit the stands, The Duplex, which originally opened in 1951 at 55 Grove Street, moved to its current spot at 61 Christopher Street.

In 1991, I moved into a 5th floor walkup on East 6th Street between First Avenue and Avenue A. Tunnel Bar was my neighborhood spot, just around the corner on First Avenue at 7th Street. On slow nights, the bespectacled bald barback would sit cross-legged on the far end of the bar, absentmindedly clicking his tongue ring on his teeth like some sort of queer lizard. I couldn’t decide if it was creepy or adorable.

A few years after Tunnel Bar went out of business, Saifee, the hardware store next door expanded into the space. I would reminisce about what it used to be whenever I would go in to buy plant dirt and screws.

I used to joke that the bar I frequented the most was Uncle Charlie’s, but it was just so I could hold my friends’ coats while they cruised the preppy boys. I was invisible there – never quite handsome or stylish enough for the clientele.

*Postcard for the 56 Greenwich Avenue location of Uncle Charlie’s, which closed in September, 1997.*

The Bar on Second Avenue was another neighborhood spot that I frequented, followed by The Boiler Room, which opened right around the corner on East 4th street in 1994. The Bar went straight a few years later, undergoing many hetero iterations and name changes in the ensuing years. The Boiler Room remained its gay seedy self until the Fall of 2024, when it moved to 45 Second Avenue.