Last month, when the NYC lounge Barracuda announced its closing after 30 years, I posted a couple of photos on social media from a May 5, 1997 appearance by singer/songwriter Jill Sobule. She was interviewed onstage by nightlife icon Candis Cayne, sang a couple of songs, screened the music video for “Bitter” and then met with fans.
That was 28 years ago this week. 30 years ago this same week, Jill’s single “I Kissed A Girl” was released. And now just days before both anniversaries comes the news that Jill has perished in a house fire. It’s a shocking end for such a talented individual, beloved by fans and fellow musicians.
Until the advent of YouTube, the screening of “Bitter” at Barracuda back in 1997 was the only time I ever saw the music video. MTV and VH1 certainly weren’t playing it. Her Happy Town CD had only been out for two months, but it was pretty clear that it wasn’t going to be as successful as her 1995 breakthrough LP – the one with her two hits: “I Kissed A Girl” and “Supermodel”. She would be dropped by Atlantic records by the end of 1997.
When I stepped up to meet Jill that night, I blathered on like the breathless fan that I was, telling her that the album was great and that her fans appreciated her music whether she sold 20 or 20 million copies. She seemed to be touched, gave me a hug and said “Oh, thank you so much.”
Jill sang a song at Barracuda that she had just written called “Money Shot” – a little ditty about a troubled porn star who couldn’t finish the job. She trusted that her audience at this gay club would appreciate it and the song went over well.
The following night, Jill was on the bill as part of a songwriters series at the Bottom Line in Greenwich Village. In the middle of her set, she asked the audience for song requests. I’d had a few cocktails by that point and called out “MONEY SHOT!”
I immediately regretted it.
Her wide eyes got even wider. She looked mortified as she said “Oh no.”
What had been a fun idea at a performance for gay fans in a Chelsea lounge didn’t fly in mixed company at The Bottom Line.
Five years later, I was briefly in a folk trio called The Wormwoods. We shared the bill with Jill and a dozen other singers at Joe’s Pub for two Dusty Springfield tribute concerts. She performed the classic Dusty In Memphis track “Just A Little Lovin’.”
Fast forward to August, 2011: Jill is opening for Fountains of Wayne at Bowery Ballroom on the Lower East Side. At first glance, this might appear to be an ill fit: The “I Kissed A Girl” girl and the “Stacey’s Mom” guys. Their fans can tell you that dismissing either act as a one-hit wonder is an oversight of many albums worth of smart, funny storytelling. Jill won over the Fountains of Wayne audience in no time.
Jill was at the merch table at intermission. “I think you made some new fans tonight,” I said.
She was pleasantly surprised. “They really seemed to like it, didn’t they?”
Songwriters of North America CEO Michelle Lewis called Jill Sobule “a singer/songwriter’s singer/songwriter.” I have similarly called her a musician’s musician. She often performed with just the smallest guitar and played with such intricacy that her audience could forget that it was her only accompaniment. I saw her onstage once with a small children’s keyboard that she had just picked up at a garage sale. Again, she found a way to make it sound like it was all the instrumentation that she needed.
Her song “Mexican Wrestler” epitomized her genius: heartbreakingly funny songwriting and a brilliantly nuanced performance.
Two weeks ago when Jill was opening for The Fixx on tour, she posted online about a concertgoer who took offense at her song “JD Vance is a C**t.” After the show, the woman shoved her and spewed some MAGA bile in her direction.
Jill’s response? She couldn’t wait until her next show – so that she could sing that song again.
I hate the idea of facing the next four years without her take on the unraveling of this administration. I can’t quite grasp that she won’t be here to sing “Underdog Victorious” when we are all on the other side of it.
Some of the many tributes to Jill that have popped up on social media:
Jane Wiedlin of The Go-Go’s posted a link to “So Jill,” a song she co-wrote and performed with bandmate Charlotte Caffey and Lloyd Cole after meeting Jill at a songwriters retreat in 1997.
The last 25 minutes of the May 4th episode of 60 Degrees with Brian Ferrari on East Village Radio is a tribute to Jill, with her songs about Joey Heatherton and Bobbie Gentry alongside covers of “Just A Little Lovin’,” “Stone Soul Picnic” and “Que Sera Sera.” Click to have a listen – the tribute starts at 1:35.
See also:
Adam Schlesinger: Not Just The Guy On The Right
A Voice You Know: Angela McCluskey
Luke Combs’ Cover Of “Fast Car” Is The Perfect Song For Our Times
You Know The B-52’s Song “Roam” Is About Butt Sex, Right?
Debbie At The World (1989)
Etta James: Advertising Zombie
Dusty Springfield Sings Kate Bush
Tina Turner: 12+ Cover Songs You May Have Missed
10 Forgotten Cher Moments
The Lost Madonna 80’s Megamix Video
Brian Ferrari's Blog 
I’m sorry for your loss, but I’m also sorry for our loss.
LikeLiked by 1 person