BrianFerrariBlog

Gay Porn Stars We Lost in 2025

In August of 2020, porn star Koldo Goran tweeted about three fellow performers who had recently died. Goran’s tweet was the only public notice that one of them, Dani Rivera, had been murdered. “I realize nobody talks about it, we are unprotected and forgotten;” Goran tweeted “We are humans, people, enough of contempt.”

Most gay news outlets choose to ignore the passing of all but the biggest names in the adult film industry. Porn companies also seem reluctant to broadcast the death of a performer who is still on their roster, forever young and willing in their website content. An obit is a real boner killer, ya know? Why jeopardize the profit margin?

Note that at least two of the men listed below have had studio content posted months after their passing without any mention of the fact.

Additionally, performers who abandon their porn personas and return to life under their real names often pass away unnoticed by former employers and scene partners. Case in point: A reader recently alerted me to the passing of Trent Locke in July of 2022 at the age of 32. Locke was a high profile performer with a 5 year career working for Colt, Falcon, Raging Stallion, Next Door, Hot House, Lucas Entertainment, Cocksuremen and several others companies. Surely some adult film news outlet would have noted his passing, right?

Once again, this year’s list is short on people of color. Why? Is it that few have passed on or that they haven’t been reported? For this reason – and due to continued interest from fans – there are ongoing updates to the lists of porn star passings in 2020, 2021, 2022, 2023, and 2024.

We remember those that were lost in 2025 to prove Koldo Goran wrong – they have not been forgotten.

1) Chris O’Donnell, aka creeohdee was born on June 18, 1993 and lived in Phoenix, Arizona. He was a popular TikTok influencer and also active on Onlyfans from 2022-2024. While best known for his fitness videos, he was also candid about his battles with mental health and substance abuse issues.
He committed suicide at age 31 on January 11, 2025.

2) Shawn, aka Kenny only appeared in a handful of scenes. He was Shawn at Active Duty and Kenny at GayCastings. The Chico, California native was born on June 14, 1995. He made his film appearances in 2015 when he was 20 years old. In his interview segment at GayCastings, he mentioned previous health issues that had interrupted his pursuit of a medical degree. According to the IAFD, he passed away on February 1, 2025 at age 29.

3) Roman Mercury was born Hermes Sant Anna Filho on June 22, 1979 in Sao Paulo, Brazil and died of a “heart attack” in late February, 2025 at age 45.

Based in Las Vegas, Mercury was a latecomer to the adult film industry: he was 42 years old when he made his studio debut in 2022 with Raging Stallion’s Heavy Load Movers. His IAFD profile lists 93 titles in the past three years. He earned two GayVN Award nominations at this year’s show.

Friend and co-star Gregg Dixxon paid tribute in an Out magazine interview and on social media, writing; “Roman left us unexpectedly, leaving behind a legacy of passion, talent, and kindness that touched the lives of so many around the world…. His family will spread his ashes in the ocean near his favorite place to live in Southern California. Roman, you will always be missed, but never forgotten!”

4) Tim Kruger, was 44 years old when he died following an accident at his home on March 1, 2025. Born Marcel Bonn on January 25, 1981 in Dusseldorf, Germany, the adult film actor, producer, and director appeared in his first film back in 2006. Of course, he was best known for his website TimTales, which he started with the help of his partner, Grobes Gereat, in their hometown of Berlin in 2009.

A statement written by Grobes was posted on the TimTales blog :

“It is with the heaviest of hearts that I have to share the news of the passing of our beloved Marcel, the man you all knew and loved as Tim Kruger. To the public, he was the ultimate ginger pornstar; to me, he was a sweet, caring partner of over 20 years. He was also my best friend. He touched the lives of everyone who had the privilege of knowing him.

“I am very aware of the stigma that surrounds deaths in the porn industry, so let me make this very clear to hopefully cut down on the inevitable speculation: Tim’s death was a tragic, yet simple accident at home. There were no drugs involved, nor was there any indication of foul play or suicide. Though my heart is broken into pieces, I find solace in the countless memories he gifted us. And I know that he died knowing he was loved. Tim’s legacy of compassion, love, and joy will live on in all who knew him.”

5) Damien Stone was born in Moldova on September 16, 1992 and emigrated to the U.S., where he grew up in Pennsylvania. He began his prolific film career in 2017 with appearances in gay, bisexual, and trans porn scenes. Among the companies he worked for were MEN, TransAngels, ManUpFilms, FaceDownAssUp, WhyNotBi, TheGuySite, Bromo, and NakedSword.

Stone retired from studio work in 2020 and competed in bodybuilding competitions. He later transitioned to OnlyFans content and was active on social media up until early February.

On March 11, 2025 family members confirmed that Stone died of “complications from an enlarged heart.” He was 32 years old. Four months later, Bro Network posted a new scene featuring Stone with Boomer Banks.

6) Popular Sean Cody model Brendan, aka Michael Johnson was involved in a murder/suicide on April 13, 2025. He was 35 years old and living in Oak Grove, Kentucky. Brendan appeared in approximately 10 Sean Cody films between 2015-2017. According to his social media accounts, he later pursued a career in country music.

7) Jay Massage, aka JayM4m, Cmtcpt, Desmides, Elcmt, and Itsdesmipeach, reportedly died of an overdose in early May, 2025. He was known as “the unofficial masseuse of the gay porn stars.” FitnessPapi posted about the passing, but it was unconfirmed as his OnlyFans and other socials began to be taken down. The IAFD updated his profile, while his Instagram account has been turned into a memorial page referring to addiction and recovery.

8) Brad Knight was a straight porn star who also appeared on the Spunkworthy website. He was 36 when he died of stomach cancer on May 6, 2025. He detailed his cancer battle on his Instagram page.

Born on December 29, 1988 in San Diego, CA, Knight appeared in hundreds of straight porn scenes over a 14 year period and was voted AVN Best Male Newcomer in 2016. He also directed several films for Blazed studios. In late 2019, he left the U.S. adult movie industry and moved to China to teach school, but resumed his career in Europe three years later.

9) Colton Ford, aka Glenn Soukesian 62, died in Palm Springs, CA on May 19, 2025. Originally thought to be a hiking accident, toxicology results revealed an accidental overdose. Born on October 12, 1962 in Pasadena, Ford entered the porn business at age 40 and appeared in titles over the next 22 years. The companies he worked for included Falcon Studios, MRS Releasing, RawFuckClub, All Worlds, and Mustang. In 2003 he was awarded GayVN Performer Of The Year.

Ford was a rare crossover, with film and TV credits including Another Gay Sequel: Gays Gone Wild!, Hellbent, The Lair, and The Next Best Thing. The 2004 documentary Naked Fame chronicled his attempts to transition from adult films to a music career. He went on to release 3 albums and several EPs.

His stage work included a 2011 Off-Broadway appearance in Little House On The Ferry. Earlier this year he appeared in a Palm Springs production of How To Succeed In Business Without Really Trying. Click here for more about Colton Ford.

10) Travis Youth, aka Gregory Reno from Decatur, IL was born on July 19,1994. Between 2019 – 2024, he made 29 films according to the IAFD website. He performed as Dave at Sean Cody and Greg Toreno at TheGuySite, but it was as Travis Youth at Gayhoopla and BiGuysFuck that he made the most appearances.

After a break, he reappeared in 2024-25 on the ASGMax websites and as Trevor Daniels at SketchySex. He overdosed at age 30 on July 24, 2025. His passing was also noted on the MenOfPorn blog.

11) Koby Falks, aka Anthony Cox was born September 7, 1982 (or 1985) in Cloncurry, Queensland, Australia and died at age 39 (or 42) on May 28, 2025. In just three years, Falks had racked up 75 appearances for RawfuckClub in addition to his OnlyFans and JustForFans accounts. He often appeared with his partner Sam Brownell.

Talent agent Matthew Leigh shared a tribute on Instagram, writing “”We have lost a trailblazing creative spirit far too soon. But I truly believe his light and legacy will continue shining brightly above. Rest peacefully, Koby. You will be missed, always.”

12) Nathan, aka Nicholas Tulloss passed away at 29 years old in Los Angeles on May 20, 2025. He appeared in two scenes for Military Classified back in 2017 and returned for one more in 2021. Site owner Rob Navarro posted on social media: “For 20 years I’ve enjoyed great success working w/many models who have brought us joy but along w/success sometimes tragedies hit & today I’m writing about one… w/a heavy heart I announce 29 yo civilian NATHAN passed away… RIP Nicholas!”

13) Kolby Gigante‘s stage name was inspired by his 6’7″ stature. Born on June 19, 2000, he made appearances at Gayhoopla and HotGuysFuck websites in 2023. The MenofPorn website posted about his death at age 24 on May 10, 2025.

14) Brazilian bodybuilder Gustavo Boton was a content creator alongside his equally muscular partner, Andres Vergel. Besides OnlyFans and JustForFans, the duo appeared in approximately 10 scenes for RawFuckClub in 2024-25. Vergel posted a heartfelt tribute to his partner in late July, stating that his beloved “Nene” had passed away the previous month. “I love you, my hero… the love of my life.”

15) Mr. Cali, aka Robert Franklin, died suddenly at age 38 in early July, 2025. Born December 9, 1986 in Long Beach, CA, Mr. Cali made his first film appearance at age 29. The IAFD lists 80+ titles over 10 years for Noir Male, Treasure Island Media, Dawgpound, and Raw Strokes, among others. He was also a music entrepreneur and digital content creator under the Mr. Cali Entertainment brand.

As news of his death spread, many fans paid tribute online with one noting, “… heartbroken and shocked to hear of the sudden passing of legendary Black Gay Adult Entertainer Mr. Cali. Not only did he help to usher in this new era of Black Gay Porn but he was never afraid to be out as a member of the community.”

16) Sean Cody’s Jamie, aka Kyle Allen Mills, 35, passed away due to a fentanyl overdose on August 6, 2025. The North Carolina native was born on May 14, 1990, and began working with Sean Cody in 2009. He was one of the most popular models on their site, with 16 appearances between 2009-2012. His videos have since been removed. Recent posts have detailed his legal troubles, and a GoFundMe was established to help cover funeral costs.

17) Dino Phillips, aka Dimitri Perparos was 55 years old when he died “unexpectedly” in late October, 2025. Born in Chicago, Illinois on December 13, 1969, he moved with his family to Arizona when he was in his teens. He was dancing at The Works in Phoenix when he met drag queen/porn director Chi Chi LaRue in 1993. She invited him to San Francisco to appear in his first adult film. Phillips went on to appear in approximately 150 films over the next 16 years. Sometimes using the name Dino Jordan, he worked for Falcon, Hot Desert Knights, Jet Set, Catalina, All Worlds, Minotaur and many other studios. In 1996 he won the Grabby for Best Newcomer, and the 1997 AVN Award for Best Supporting Performer. As Dane Preston, he also directed several films.

Phillips left the industry in 2009. In recent years he resided in Chandler, Arizona and worked as a customer service representative for an insurance company.

A GoFundMe has been set up by Mark Morris to cover funeral expenses. Mark writes, “He was family. His compassion, laughter and unwavering support touched countless lives. Whether it was a shoulder to cry on, a helping hand, or a moment of joy, he gave freely and wholeheartedly. His beauty was not just in his appearance but in the way he made others feel seen, heard and loved.”

A few of the many DVD/VHS box covers featuring Dino Phillips

18) Vince Ferelli, aka Jared Degado, aka Jared Tarquini was born on March 10, 1983 in Danville, IL. He was 25 years old when he began his film career and appeared in over 50 films from 2008-2017. He worked for Colt, Hot House, Raging Stallion, Jet Set, Kink.com and several other studios.

Ferelli was homeless when he passed away at age 42 on November 6, 2025 in Los Angeles. The cause of death is under investigation.

19) Scott Finn, aka Rhett Douglas Messerly was born in Ogden, Utah on February 2, 1998. He made his porn debut with Active Duty when he was just 18 years old, and worked with them steadily over the next 9 years. His IAFD profile lists over 250 titles – most with Active Duty and Next Door Studios.

He had been going through a tough time over the past two years, posting on social media about a divorce and other issues. His family released a statement that he passed away at age 27 on November 23, 2025.

Next Door Studios executive producer/director Jeremy Babcock told AVN, “Scott had an infectious laugh, and always raised the energy of every room he was in. On and off camera, he captivated everyone he met. I’m honored to have had Scott as a co-worker and friend.”

20) Taylor Coleman, aka Jordan Kilts was born on December 22, 1998 in Tennessee. He racked up over 30 film appearances with Helix and 8TeenBoy between 2018-2020. After retiring from the business, he went on to work in financial services. He was 26 when he passed away on December 6, 2025 at his home in Aloha, Oregon.

Earlier this year, he posted on social media:
“You’re like a wind through a field: you pass through, and things don’t look the same after – not because you took anything, but because your presence changed how the light moved.”

21) Lane V. Rogers, aka Blake Mitchell, was killed in a motorcycle accident on December 15, 2025. The 31 year-old Kentucky native was visiting friends in Los Angeles where the accident occurred near Oxnard, CA.

Born August 14, 1994, Lane began his adult film career with webcam shows in 2014. He moved into work with Helix studios rather than attend college, and remained a strong presence in the industry over the next 10 years. In 2017, he took home the first Best Supporting Actor award at the Str8UpGayPorn Awards. After years with Helix, Cockyboys and Bel Ami, Lane focused more recently on producing his own OnlyFans content.

Lane’s vibrant personality is evident in the many heartfelt tributes that have been posted by friends and fellow performers.

Revisiting George Platt Lynes’ Fire Island Muses

*George Platt Lynes, self-portrait (ca 1940)*

Next month will mark five years since I started the Artist’s Muse series on this blog – profiling the men who inspired, and were subjects of, mid-century artists like George Platt Lynes, Bernard Perlin, George Tooker and the PaJaMa collective: Paul Cadmus, Jared and Margaret French. Last summer I compiled some of these stories and photos for the Fire Island Pines Historical Preservation Society website. “The Fire Island Muses of George Platt Lynes & The PaJaMa Collective” focused on the subjects of the artwork they created during their time on Fire Island. Click here for the full post.

This summer, Vogue has entered the mix with a piece titled The 1940s Vogue Photographer Who Turned His Lens to the Male Muses of Fire Island. Honestly, it sounds as if he happened upon a coven of beautiful gay men, rather than importing his friends and lovers from the mainland. While it’s true that Lynes would photograph models and “attractive men that he heard of through word of mouth,” this applied to his studio work back in New York City. On Fire Island, the photos were of his intimate circle.

Lynes’ Fire Island photos are inextricably linked with the PaJaMa collective, as they all vacationed together and posed for each other. Artists like Lynes, Tooker and Perlin were all influential on each other’s work, especially the photographic aspects of their creativity.

Lynes with Paul Cadmus, Glenway Wescott, Donald Windham, Jared French & the Fire Island Lighthouse, PaJaMa (ca. 1938-40)

The Vogue piece displays several photos from A.Therien gallery’s recent collection of images featuring fellow photographer Wilbur Pippin, who was profiled here back in April. These are additional photos from that collection:

Wilbur Pippin with Fidelma Cadmus Kirstein and George Tooker, photos by George Platt Lynes & PaJaMa (ca. 1948-50)

In 1943, Lynes was so enamored of Jonathan Tichenor that he left his long-term threeway relationship with Glenway Wescott and Monroe Wheeler to be with him. The pair moved in together and Lynes shocked his discreet friends by announcing that they planned to be married. Tichenor was the subject of many Lynes photographs during this period, including some memorable shots snapped on Fire Island. The relationship imploded in 1945 when Tichenor ran off to become the second husband of socialite/artist Bridget Bate.

Jonathan Tichenor, Fire Island, photos by George Platt Lynes & PaJaMa (ca 1944)

Lynes met aspiring dancer Randy Jack in 1947 while he was working for Vogue in Los Angeles. The pair moved back to New York the following year, where Jack found success as a model. They parted ways a few months later. Read more about Randy Jack here.

Lynes with his boyfriend Randy Jack (ca 1948)

Ten days after the departure of Randy Jack, former military man Chuck Howard moved in with Lynes. Throughout their relationship, Lynes frequently photographed Howard on Fire Island. He later became a successful fashion designer and restaurateur. Read more about Chuck Howard here.

Chuck Howard photographed on Fire Island by George Platt Lynes (ca 1950)

In 1950, Lynes created a studio beach scenario with dancers Nicholas Magallanes and Tanaquil LeClerq in poses from the George Balanchine/Jerome Robbins ballet Jones Beach. Magallanes was also a member of Lynes’ social circle and a frequent model for his nude photography.

Nicholas Magallanes and Tanaquil LeClerq in Jones Beach, George Platt Lynes (1950)

Lynes’ most iconic Fire Island image is of dancer Francisco Moncion, seen here with some alternate shots from the contact sheet. The influence on the work of Herb Ritts and Bruce Weber is evident.

Francisco Moncion photographed by George Platt Lynes on Fire Island (ca 1948-50)

The Vogue profile of George Platt Lynes concludes that his work for the magazine may have provided him with commercial success, but that his Fire Island portraits show that success comes in many forms.

I heartily concur.

*George Platt Lynes, Fire Island, PaJaMa (1941)*

The Mysterious Midge Williams

In the April 11, 1936 edition of the New York Age newspaper, Joe Bostic wrote in his “Seeing The Show” column about show he attended at the Apollo Theatre. The headliner was an unknown: the now legendary blues singer Lead Belly. Bostic was not impressed:

The advanced publicity stated that this man had been in two jails on murder charges and that the wardens, on hearing him work out on his guitar and vocally, had set him free. Maybe they did but after hearing the man myself, I’m not so sure that musical excellence prompted [the] actions. It may have been that both they and the other inmates wanted some peace during their quiet hours. No. Lead Belly isn’t the man, if it’s music that you want.

After reviewing other aspects of the show, including the comedy of Pigmeat Markham, Bostic concludes his review with this:

Midge Williams, the sensation from the west coast, looks, acts and sings like she knew most of the answers as a personality soloist…. She’s too good for the company she’s in at the Apollo this week.

I’ve had a bit of an obsession with the mysterious Midge Williams since I first heard her recordings of familiar jazz standards… sung in both Japanese and English. In the mid 1930’s, she was the first female African American singer with a national radio show. Midge worked with Bunny Berigan, Fats Waller, Duke Ellington, and Jimmie Lunsford. When Olympian Jesse Owens had a short-lived foray as a bandleader, Midge was his singer. She toured with Louis Armstrong’s orchestra for three years, from 1938 until 1941, when she ended up hospitalized in Detroit. And then… nothing. She died of tuberculosis in 1952 at age 36.

That’s the story in a nutshell, according to the liner notes of her CD compilations and the few websites that mention her. Several years ago, I set out to fill in the blanks on this forgotten artist.

Midge started out in a family group with her three brothers. They were The Williams Quartette, later The Williams Four, performing in clubs and churches in the San Francisco area. They later joined the Fanchon and Marco vaudeville circuit and performed up and down the West Coast during summer breaks from school.

A musician / arranger named Roger Segure took them under his wing and became their manager, securing work on local radio and then traveling with the group to China and Japan. The opportunity to hear swing jazz vocals sung live was heralded as a major event in the history of Japanese jazz. During their stay in Japan, Midge recorded several sides, singing in English and Japanese, accompanied by the Columbia Jazz Band:

Midge crossed paths with writer Langston Hughes as he traveled through the Far East. Back in New York a few years later, Hughes would write songs for Midge. She recorded his “Love Is Like Whiskey” in February, 1938. Another song, “Night Time,” with lyrics by Hughes and music from her manager Roger Segure, was the theme song to her radio program. Unfortunately, no recording of the song exists.

Attempts by gossip columnists to stir rumors of a romance between the two proved unsuccessful.

Midge was just 21 years old when she began hosting her own radio show on NBC – a twice-weekly 15-minute program. She recorded several dozen sides while also making club appearances. A prominent figure in Harlem society at the time, the African American newspapers covered her every move… until her alcoholism resulted in a dismissal from the Louis Armstrong Orchestra.

Her last studio recording was with Lil Hardin Armstrong (Louis’ ex-wife) and her Dixielanders in 1940:

In April of 1946, Midge made an appearance on Jack Webb’s radio show. She was in fine voice on a cover of “Cow Cow Boogie”:

Shortly after the Jack Webb radio performance, Midge settled into a six month engagement at Mona’s 440 Club, the legendary lesbian bar in San Francisco. It is from this period that we have a photo of Midge, an image that has been widely circulated. One of the most familiar photos depicting lesbian nightlife of the 1940’s, it was also used to promote the 1993 documentary Last Call At Maud’s.

Midge Williams (left) with fellow Mona’s singer Kay Scott and friends (ca 1946)

Tune in to a 35 minute overview of the life and music of Midge Williams on 60 Degrees with Brian Ferrari.

Keith Haring In Heat Magazine (1992)

I was recently perusing (as one does) the June 1992 issue of Heat, a short-lived gay men’s magazine. Amongst the pictorials of cover boy Rob Cryston and fellow gay porn stars Karl Thomas and Sam Abdul is an article titled “The Life and Loves of Keith Haring” by Jack Ricardo.

Keith Haring photographed by Don Herron (1982)

Bill T. Jones painted by Keith Haring (1983)

Keith Haring photographed by Andy Warhol, Montauk (8/22/84)

Keith Haring photographed by Annie Leibovitz (1986)

This article was published just two years after Haring’s death. In 2019, Gil Vazquez became Executive Director of the Keith Haring Foundation, a role he held for 6 years.

*Keith Haring photographed by Patrick McMullan, NYC (8/14/84)*

So Jill Sobule

Last month, when the NYC lounge Barracuda announced its closing after 30 years, I posted a couple of photos on social media from a May 5, 1997 appearance by singer/songwriter Jill Sobule. She was interviewed onstage by nightlife icon Candis Cayne, sang a couple of songs, screened the music video for “Bitter” and then met with fans.

That was 28 years ago this week. 30 years ago this same week, Jill’s single “I Kissed A Girl” was released. And now just days before both anniversaries comes the news that Jill has perished in a house fire. It’s a shocking end for such a talented individual, beloved by fans and fellow musicians.

Until the advent of YouTube, the screening of “Bitter” at Barracuda back in 1997 was the only time I ever saw the music video. MTV and VH1 certainly weren’t playing it. Her Happy Town CD had only been out for two months, but it was pretty clear that it wasn’t going to be as successful as her 1995 breakthrough LP – the one with her two hits: “I Kissed A Girl” and “Supermodel”. She would be dropped by Atlantic records by the end of 1997.

When I stepped up to meet Jill that night, I blathered on like the breathless fan that I was, telling her that the album was great and that her fans appreciated her music whether she sold 20 or 20 million copies. She seemed to be touched, gave me a hug and said “Oh, thank you so much.”

Jill sang a song at Barracuda that she had just written called “Money Shot” – a little ditty about a troubled porn star who couldn’t finish the job. She trusted that her audience at this gay club would appreciate it and the song went over well.

The following night, Jill was on the bill as part of a songwriters series at the Bottom Line in Greenwich Village. In the middle of her set, she asked the audience for song requests. I’d had a few cocktails by that point and called out “MONEY SHOT!”

I immediately regretted it.

Her wide eyes got even wider. She looked mortified as she said “Oh no.”

What had been a fun idea at a performance for gay fans in a Chelsea lounge didn’t fly in mixed company at The Bottom Line.

Five years later, I was briefly in a folk trio called The Wormwoods. We shared the bill with Jill and a dozen other singers at Joe’s Pub for two Dusty Springfield tribute concerts. She performed the classic Dusty In Memphis track “Just A Little Lovin’.”

Fast forward to August, 2011: Jill is opening for Fountains of Wayne at Bowery Ballroom on the Lower East Side. At first glance, this might appear to be an ill fit: The “I Kissed A Girl” girl and the “Stacey’s Mom” guys. Their fans can tell you that dismissing either act as a one-hit wonder is an oversight of many albums worth of smart, funny storytelling. Jill won over the Fountains of Wayne audience in no time.

Jill was at the merch table at intermission. “I think you made some new fans tonight,” I said.

She was pleasantly surprised. “They really seemed to like it, didn’t they?”

Songwriters of North America CEO Michelle Lewis called Jill Sobule “a singer/songwriter’s singer/songwriter.” I have similarly called her a musician’s musician. She often performed with just the smallest guitar and played with such intricacy that her audience could forget that it was her only accompaniment. I saw her onstage once with a small children’s keyboard that she had just picked up at a garage sale. Again, she found a way to make it sound like it was all the instrumentation that she needed.

Her song “Mexican Wrestler” epitomized her genius: heartbreakingly funny songwriting and a brilliantly nuanced performance.

Two weeks ago when Jill was opening for The Fixx on tour, she posted online about a concertgoer who took offense at her song “JD Vance is a C**t.” After the show, the woman shoved her and spewed some MAGA bile in her direction.

Jill’s response? She couldn’t wait until her next show – so that she could sing that song again.

I hate the idea of facing the next four years without her take on the unraveling of this administration. I can’t quite grasp that she won’t be here to sing “Underdog Victorious” when we are all on the other side of it.

Some of the many tributes to Jill that have popped up on social media:

Jane Wiedlin of The Go-Go’s posted a link to “So Jill,” a song she co-wrote and performed with bandmate Charlotte Caffey and Lloyd Cole after meeting Jill at a songwriters retreat in 1997.

*Photo: Brian Blauser/Mountain Stage Archive, Oct 8, 1995*

The last 25 minutes of the May 4th episode of 60 Degrees with Brian Ferrari on East Village Radio is a tribute to Jill, with her songs about Joey Heatherton and Bobbie Gentry alongside covers of “Just A Little Lovin’,” “Stone Soul Picnic” and “Que Sera Sera.” Click to have a listen – the tribute starts at 1:35.

Artist’s Muse: Wilbur Pippin

The latest subject in our Artist’s Muse series is Wilbur “Billy” Pippin, a friend, lover and confidant to a circle of artists that included George Platt Lynes, George Tooker, Paul Cadmus, Jared & Margaret French (aka the PaJaMa collective).

Wilbur Thomas Pippin was born on May 25, 1924 in Macon, Georgia. An only child, his father was employed by Railway Express while his mother worked at a dress shop. After the couple separated, Wilbur and his mother moved down the road to his maternal grandmothers house. He attended Lanier High School for Boys, where he was on the honor roll and received recognition for 5 years of perfect attendance. Upon graduation in June of 1942, he enlisted in the Army and served through World War II.

Back in Georgia for the 1946-47 school year, Billy enrolled as a freshman at North Georgia College in Dahlonega, three hours north of Macon. He became president of the drama club and was also voted “Most Versatile Cadet”. His academic career seems to have ended after that successful first year, as life took an unexpected turn in the form of a fellow named Fred Melton.

Sgt. Pippin – the Most Versatile Cadet at North Georgia College (1947)

We previously mentioned Fred “Butch” Melton in a profile of Artist’s Muse/writer Donald Windham. Butch was an Atlanta artist/photographer who moved to New York in 1939 with Windham, his boyfriend at the time. After the two split in 1942, Melton abruptly married Sarah “Sally” Marshall. The newlyweds settled in Greenwich Village and had two sons in quick succession. The growing family then moved back to Sally’s hometown of Macon, Georgia to live on land provided by her parents.

In the New York Public Library blog post Finding Frederick Melton, Stephen Bowie writes, “Melton dove into small-town Southern life with gusto. He built a modern house and workshop on the property, painted, and worked on the newspaper and in the local theater. But the experiment in conformity didn’t last.”

Whether Butch and Billy met doing local theatre or through some other social event is speculative. Suffice to say that Macon isn’t a very large town. In any case, the two found each other, and sparks flew. Billy did not return to college. In early 1948, Butch left his young family in Macon to move back to New York with Billy.

The couple moved into a cold-water tenement flat at 446 West 55th street in Hell’s Kitchen. Butch introduced Billy to the circle of gay artists that he had left behind 5 years prior. The striking young man soon began to turn up in their work.

Bernard Perlin & Wilbur Pippin photographed by Fred Melton in Cherry Grove, Fire Island (1948)

Wilbur Pippin photographed on Fire Island with George Tooker and Margaret French

Ballet impresario Lincoln Kirstein was apparently so fond of the couple that he tasked them with running Pippin Press, a silkscreen company he bankrolled and named after Billy. The original intent was to make collectible prints of ballet designs and the work of artists like Pavel Tchelitchev. Ultimately Pippin Press found more success producing custom silkscreen wallpaper.

Billy also began exploring photography alongside Butch, forming the “Melton-Pippin Photography” imprint for both of their work. Although he later enjoyed a long career as a fashion photographer, today Billy’s most notable photographs are his 1950 portraits of Jack Kerouac. It was one of these photos that was Kerouac’s choice for the original cover sketch of On The Road.

Jack Kerouac photographed by Wilbur Pippin (1950)

In early 1951, Butch and Billy had a new neighbor when their friend George Platt Lynes moved into the building. Lynes’ relationship with Chuck Howard had recently ended, and he was facing increasing financial woes. Lynes was initially pleased to have the couple as neighbors – Melton helped him with remodeling and silk-screening wallpaper for the living room. But he quickly grew annoyed by the couple “forever borrowing that old cup of sugar…” he wrote to a friend, “… or in their case it was more likely to be a bottle of gin.”

*Wilbur Pippin & Chuck Howard, (ca. 1950*)

Wilbur Pippin photographed by George Platt Lynes

Besides the thirsty neighbors, the far-west proximity and sketchy neighborhood did not sit well with Lynes. By September, he had fled back to the comfort of the East side, although his finances could not support it.

Fred “Butch” Melton & Wilbur “Billy” Pippin photographed by George Platt Lynes (ca 1951)

The couple remained friends with Lynes through the rest of his life, despite some difficult times. When Lynes fell out of favor with Lincoln Kirstein, Melton was named as his replacement as the official photographer for the New York City Ballet. In 1955 when Lynes was hospitalized with terminal lung cancer, Pippin was one of a small group of friends tasked by Russell Lynes to dismantle and pack up his brother’s apartment. George Platt Lynes died in December of that year.

With Pippin Press winding down, Billy went to work as publicity director for the New York City Ballet as well as press representative of the Broadway show Protective Custody, which opened and closed in late December, 1956.

By the end of the 1950’s, Butch and Billy had gone their separate ways. As with so many others, Fred Melton was dropped by the mercurial Lincoln Kirstein and had been replaced as photographer for the New York Ballet, just as he had replaced Lynes years before.

In 1961, Melton departed New York once again, leaving his collection of ballet negatives to the New York Public Library, intent on spending his last days drinking on the beaches of Puerto Rico.

Meanwhile, Billy was working steadily as a fashion and celebrity photographer for the New York Times. He traveled the world through the following decades as a freelance fashion photographer for Vogue and other outlets. In the late 1960’s, Pippin coupled with fellow photographer, Thomas Wier, Jr. For 30 years, the duo ran Pippin & Wier Photography in New York City. Their country home was an old converted schoolhouse in East Haddam, CT. They eventually amassed a menagerie of 15 cats.

*The Commercial Appeal*, Memphis, TN 10/29/64

*Daily Messenger*, Canandaigua, NY (12/12/1974)

In 1979, Pippin co-authored the book Catwise with actress Marian Winters. This was a collection of photographs Pippin had taken of his feline family, with classical quotes selected by Winters. Sadly, Winters succumbed to cancer just before the book’s publication.

*Hartford Courant, Connecticut (12/14/79)*

Pippin and Wier eventually retired to their East Haddam house. Thomas Wier Jr. died on 9/12/2000, age 70. Wilbur Pippin died on 4/30/2003 at his home, age 78.

In 2024, the A. Therian gallery in Cairo, New York featured Billy, an exhibition of rare and previously unseen photos of Wilbur Pippin taken by George Platt Lynes, the PaJaMa collective, and Fred Melton. This collection of photographs shed light upon the striking young man from Macon, Georgia who became a friend, lover and confidant to his great artistic contemporaries.

Wilbur Pippin, Egremont, Massachusettes (ca. 1948)

Good Time Sallies and Madame Spivy Radio

Madame Spivy is having quite a renaissance in 2025, thanks to the efforts of Ms. Ana Matronic and her newly launched Good Time Sallies podcast. As previously mentioned, Madame Spivy is the subject of the first two episodes. I joined Ms. Matronic to discuss the dynamic lady of song, stage and screen. You can find those here.

The subject of episodes #3 & 4 is singer/nightclub owner Ada “Bricktop” Smith, who we covered briefly in our post about Neeka Shaw, The Forgotten Showgirl.

And if that’s not enough for you… Ms. Matronic has created Good Time Sallies: Radio Spivy on Mixcloud, so you can hear many of the songs discussed on the podcast. Besides a generous serving of Madame Spivy’s stylings, you can also hear recordings by Spivy’s friends, influences and artists who appeared at Spivy’s Roof. Included on the playlist are Fanny Brice, Sophie Tucker, Liberace, Martha Raye, Thelma Carpenter, Rae Bourbon, The Three Flames, Bea Lillie and many more!

Click here for Radio Spivy and hear some fine examples of classic diseuse delivering sophisticated songs.

From the website:
Good Time Sallies tells the stories of impactful people who have been left in the shadows as footnotes or minor characters in somebody else’s story, but each of whom made waves, broke molds, and dared to live life as they pleased.

With every episode, Ana Matronic centers these remarkable people and shares their inspiration with the world. From people of letters to ladies of leisure, from bawdy babes and badass boozehounds to Queens on the scene to queens of the obscene, this vibrant historical podcast is all about celebrating the Good Time Sally in us all who is here to take a shot and make her mark.

As you already know, Spivy is one of our favorite subjects here on the blog. Be sure to check out the latest post, which covers her film and television appearances.

Madame Spivy on the Good Time Sallies Podcast

I have been an admirer of Ana Matronic since the days when her band, Scissor Sisters was a local group playing around my East Village neighborhood. Her presence, her voice, her connection with the audience as “Mistress of Ceremonies” were a major factor in why I went on to see the band perform live 20 times before their hiatus in 2012. There’s an unconfirmed rumor that I have the band logo tattooed on my ankle.

*With Ms. Matronic at the Ice Palace in Cherry Grove, Fire Island (7/2024)*

I have enjoyed Ms. Matronic’s various endeavors in the intervening years, which includes her DJ work from the BBC to Fire Island and her 2015 book Robot Universe: Legendary Automatons and Androids from the Ancient World to the Distant Future.

I couldn’t imagine a Scissor Sisters reunion without her. When a UK tour was announced late last year, Ms. Matronic issued a statement explaining why she would not be taking part, teasing an upcoming podcast series that prevented her from participating.

As someone who embraces my own inner Nerd, I was fully on board with her choice to focus on her current passion project. What I did not know at the time was that I would get to be a part of this next chapter.

And now it is time for the big reveal: Good Time Sallies is here!

Click here to have a listen to both episodes the Spivy Story.

https://embed.acast.com/$/67c5ca6cb48a8f157c1ae0b6/queen-of-clubs-part-1?

Photos: Krys Fox @krysfoxphoto

Of course, telling the stories of notable people who have been left in the shadows is one of the reasons this blog exists. On the first two episodes of Good Time Sallies, I join Ms. Matronic to reintroduce that dynamic lady of song, stage and screen, Madame Spivy LeVoe. As you already know, Spivy is one of our favorite subjects here on the blog. Be sure to check out the latest post, which covers her film and television appearances.

I hope you enjoy the podcast as much as I did recording it. Thanks again to Ms. Matronic and Lucy Winter for inviting me to take part.

Also: Click here for Radio Spivy on Mixcloud and hear some fine examples of classic diseuse delivering sophisticated songs.

Madame Spivy: Movies & Television

Ladies and Gentleman, it is time once again to revisit that dynamic lady of song, stage and screen, Madame Spivy LeVoe (1906-1971), also known simply as Spivy. While previous posts have focused on specific songs recorded by the lesbian entertainer, nightclub owner, and character actress, this time around we have an overview of her work in film and television from 1959-1967.

“The Roof is closed – gone forever, and my heart is broken.” Spivy wrote to a friend in August, 1951 after her nightclub had shuttered. The once popular top floor venue at 139 East 57th street had fallen into decline after a decade as one of the top Manhattan night spots. The demise of Spivy’s Roof was in part due to Spivy’s increasing stage fright, which in turn escalated her drinking. The combination often prevented her from delivering the two scheduled nightly performances audiences expected. Paul Lynde would later discuss this on The Tonight Show in 1976.

Spivy spent the next 6 years performing throughout Europe, where she opened and closed clubs in Paris and Rome. In London she appeared at the prestigious Café de Paris. These ventures eventually proved unsuccessful and she landed back in New York by 1957. An engagement at the Blue Angel would be her final New York City cabaret run.

Spivy explained her inability to conquer the fear of nightclub audiences. “I have tried everything but psychiatry – even hypnosis – but I couldn’t lick it.

“Funny thing, I have absolutely no stage fright in front of a camera, no matter how many people are on the set. So I guess this is what I’ll be doing from now on.”

It doesn’t take a psychiatrist to piece together that her insecurities performing in front of a live nightclub audience proved insurmountable as her popularity waned. She had entertained audiences since the 1920’s, but 30 years later her style of sophisticated songs had become a relic of a bygone era. Acting roles in front of a camera proved to be a less vulnerable alternative.

Charlie Chaplin reportedly sought to have Spivy play a character based on Elsa Maxwell in his 1957 film A King In New York. Newspaper columns at the time reported that the production company was unable to secure a work permit for her to travel to the UK for filming.

Her first film was The Fugitive Kind in a scene with Marlon Brando and Joanne Woodward, which was not a bad place to start.

*“You come back alone some time, ya hear?” Spivy with Marlon Brando and Joanne Woodward in* The Fugitive Kind. (1959)

This led to her being cast in the most memorable television role of her career opposite Robert Morley in an episode of Alfred Hitchcock Presents titled “Specialty of the House.” Spivy plays “Spirro,” the piano-playing proprietress of an exclusive restaurant with a dubious main course.

*“Bourbon breeds togetherness…” Flo (Spivy) tips off Peter Gunn (Craig Stevens). (1960)*

There is a sameness to the majority of Spivy’s film and television acting roles. She’s typically the barkeep or bouncer at a downstairs dive bar in a sketchy part of town. She usually has just one scene where she kicks someone out of the bar, or delivers a key piece of information to move the plot along. Or both. She is always smoking. She may be shady or morally ambiguous, but mostly she just don’t want no trouble, ya hear?

*“Have you lost your feeble mind? He’s still got his baby teeth!” Spivy with Brandon DeWilde & Evans Evans in* All Fall Down *(1962).*

Spivy’s most significant film role was as Ma Greeny in 1962’s Requiem For A Heavyweight with Anthony Quinn and Jackie Gleason. Her tough, androgynous mob boss made an indelible impression on viewers.

“Take a good look in the mirror and then say goodbye to what you see.”

*Spivy as The Axe Lady,* The Wild Wild West (1966)

One of Spivy’s atypical performances was a 1966 appearance on The Wild Wild West with Robert Conrad. Spivy plays The Axe Lady, a member of a serial killer tribunal who meets her demise at dinner with a steak knife in the back.

*Spivy as Tatama with William Smith as her son Catoga in the* Daniel Boone *episode “A Matter Of Blood.” (1967)*

Spivy’s final television role was her biggest since Alfred Hitchcock Presents: a 1967 Daniel Boone episode in which she plays Tatama, an Indian tribe elder. As with the rest of the actors playing indigenous characters at the time, the brown-face makeup doesn’t age well, but she delivers a good performance, in my humble opinion.

Spivy was diagnosed with cancer in the late 1960’s, eventually moving into a series of hospitals and nursing homes that she kept getting kicked out of. Angry and bitter at her waning independence, she would lash out at staff. Her old friend Patsy Kelley arranged to have her placed at the Motion Picture Country Home in Woodland Hills, California where she died on January 8, 1971, aged 64. She is interred at Valhalla Memorial Park in West Hollywood.

George Platt Lynes: In Touch Magazine (1982)

*The cover of the book* George Platt Lynes Photographs 1931-1955 *features this photo of Edward Lennox Bigelow, Dora Maxwell, and Johnathan Tichenor (ca. 1943)*

I recently acquired a copy of the August 1982 issue of In Touch magazine, which featured the photos of George Platt Lynes. Although Platt Lynes died of cancer over 25 years earlier, this was the beginning of the publication of his male nude photographs, which have now become recognized as his most memorable work.

Just a few months before, Jack Woody and Twelvetrees Press had published George Platt Lynes Photographs 1931-1955, an oversized hardcover book with introductory texts by Glenway Wescott, George Balanchine, and Lincoln Kirstein. Someone wisely permitted In Touch to publish a handful of Platt Lynes’ male nude studies, introducing his work to a whole new generation of gay men. Many of these photos were previously unpublished.

The models in the photo above are Charles “Tex” Smutney and Charles “Buddy” Stanley, subjects of some of Lynes’ most memorable photographs. Of Smutney, David Leddick wrote “few of Platt Lynes’s subjects so perfectly embodied youth and innocence as did this athletic, fair-haired figure.”

The image comes from the 30 photograph “Bedroom Series” of these two undressing and lying on a bed with a third model, Bradbury Ball. (below)

The above photo of The Ritter Brothers (ca. 1934) is now part of the Metropolitan Museum collection.

The subject of two In Touch photos is Blanchard Kennedy, a frequent model for Platt Lynes in the late 1930’s.

The three photos above from In Touch are part of an early 1950’s series of images taken around the bed in Lynes’ studio (see below). The models are unidentified, although the blond is sometimes misidentified as Alexander Jensen Yow or Ralph Pomeroy, two subjects who were also photographed seperately in or around the same bed.

Left to right: Gordon Hansen, Jack Fontan, Dick Beard, Unidentified

The final full-page photograph of an unidentified model illustrates the timeless artistry of Platt Lynes’ work.

Also featured in this issue is a profile of Warhol photographer Christopher Makos, who, like Platt Lynes, blurred the line between artistic and homoerotic photography.

For more on George Platt Lynes and his artistic influence, I highly recommend the documentary Hidden Master: The Legacy of George Platt Lynes.

Author: BrianFerrariBlog