In January 1983, Armistead Maupin made the rounds of gay publications with interviews in both Mandate and Torso magazines. He was at a unique point in his life and career: Further Tales of the City, the third book in the series had just been released. Maupin mentions that he had been named as “executive story editor” for an HBO series adapting the first two Tales… books. Unfortunately, this did not come to fruition, and it would be another 10 years before the first book was filmed as a 6-part miniseries for Channel 4 (UK) & PBS (US)
Just a few pages before the Torso feature is an article titled “Gays And The Plague.” The name AIDS had not yet been coined and the cause of the “gay cancer” was still unknown. The epidemic would have a devastating effect on Maupin, the gay community, and the fictional characters of Barbary Lane.
In addition to an interview with Maupin, Mandate also featured an excerpt of More Tales of the City:
“We come back to California from New York and reassure ourselves that it’s too noisy and too hot and too cold and too crowded and too dangerous but, in the long run, we sort of think… well, it could really be exciting.”
“I came out to my family during the course of the book. Michael’s letter to his parents was my letter to my parents.”
“I do not regard Tales of the City as a gay work. I regard it as a work written by a gay man that has gay characters in it and appeals to a lot of different kinds of people. I don’t want to preach to the choir.”
“When I quit the second book and said that I wasn’t going to do it anymore, that I was tired of it, I had a dream that Mrs. Madrigal came in and sat on the edge of the bed and sort of… shook my foot affectionately and said, “So, you’re leaving us, huh?”
“I regard myself as enormously political because I reach more straight people than most gay people. That’s what gives me the most satisfaction in doing what I do. I like changing people’s minds.”
The Torso article below refers to another Maupin serial that is often overlooked: Jackie Old – a fictional piece about Jacqueline Onassis at age 70. Unfortunately she did not live to see 70 and this series – initially published as a 5-part series in New West magazine – would not get an official release as 2014 Kindle novella. Even so, it is not included in his bibliographies.
“First of all, we do not all have good taste,” he smirks. “All of us think we have good taste – which is where it gets dangerous.”
“By and large I’m a pretty lazy guy. I procrastinate terribly… I sympathize with Fran Liebowitz enormously on that – we both have equal agonies facing the time clock.”
Armistead Maupin at home with Gregory Skraznas, 07/1982 (Photo by Steve Ringman/San Francisco Chronicle via Getty Images)
When Harper & Row began publicity for Further Tales of the City, the San Francisco Chronicle photographed Armistead smooching with his boyfriend. “They handled it the same as they would any other author celebrating his latest book. Would that have happened five years ago?”
If I have a single message to get across in my writing it is that we all have to learn to know ourselves and have a sense of self pride in our own uniqueness as individuals… that’s something which always has to come from within – no matter who you are.”
When I was two years old, my mother wrote in my baby book that I liked to listen to records. That’s how far back that goes. Among my Disneyland and Sesame Street records were all of my parents’ discarded 45s from their formative years. This was now the 1970’s and albums were what they were purchasing.
Even before I could read, I could tell by looking at the record label which songs I liked. The blue ones with the map on them were good (it was Motown). The ones with the orange and yellow swirl were The Beatles and The Beach Boys. (Capitol records – fun to watch spin on the turntable). My favorite record, though, was the only one with little doggies on the label: “Maybe” by the Chantels, on End records.
“Candy” – my mother’s name – was written on the label in neat pre-teen cursive. She told me many times that she used to listen to this record every day when she came home from school.
By this time, she was no longer quite so fond if it. She didn’t care for any of the old records, really. Not anymore. There wasn’t a lot of nostalgia in our house. The old-fashioned “ba-da-dum-dum dum” piano intro of “Maybe” would start and she’d roll her eyes, asking why I insisted on playing those old songs. But sometimes while doing housework, she would loudly sing along, complete with dramatic gestures that made me laugh.
Part II: 1979
My mom, her boyfriend, and I are sitting around listening to music. They met working at the Pizza Hut. He’s 20 years old and listens to Kiss and Foghat. She’s 33, divorced with three kids and likes Billy Joel and the Saturday Night Fever soundtrack.
I don’t recall how “Maybe” came up, but I went and fished it out of my pile of 45s. Like me, he wasn’t born yet when this record came out. The song intro starts, and he jumps on it. “What the hell is that?” It is decades away from current popular music, and he’s making fun of it. Poking fun at her, really. Not in a mean way. Everyone is laughing.
He keeps starting the record over – playing that creaky piano intro over and over again until she’s laughing so hard, she has tears in her eyes.
Part III: July, 2011
July 30, 2011, I’m at Lincoln Center’s Damrosch Park for She’s Got The Power! A Girl Group Extravaganza. This is an all-day concert celebrating the girl groups of the 1950’s and 60’s. Former Chantels lead singer Arlene Smith is one of the performers.
By this point, “Maybe” is considered to be one of the greatest records of the 1950’s, paving the way for the girl group era and making a place at the table for female R&B vocal groups. Singers like Darlene Love and The Supremes cite the recording as an early influence.
Arlene Smith takes to the stage draped in glittery fabric, seated in an electric wheelchair that she expertly maneuvers around the stage as she sings the song. 54 years have passed since she recorded this, but her voice is still strong. I decide to call my mother, tell her where I am and hold up the phone for her to hear.
“Oh my god. I haven’t heard that song in years!” she says. She gets a little choked up, and I tell her I’ll call her later when I get home.
In the documentary Girl Groups – Story Of A Sound, Arlene Smith recalled that she had just turned 16 years old when the Chantels recorded “Maybe.” “I was singing about the kind of love that I didn’t know… I loved my parents.”
Part IV: July, 2026
We are enjoying a summer evening in my sister’s back yard, as best we can. A year and a half of cancer treatments has reduced my mother to 90 lbs, but it’s the Alzheimer’s that has now taken the lead in this battle. Earlier in the afternoon, we had her try to draw a clock – a cognitive test used to detect the disease. She couldn’t do it, although she can still tell the time on her watch. It’s a tricky thing to navigate.
I suddenly have an idea. I pick up my sister’s phone and hijack her Summer BBQ Spotify playlist. I tell my mother I want her to listen to something and see if she remembers it.
The piano begins “ba-da-dum-dum dum” …” Her brow is slightly furrowed. When the vocals start, she mouths the words, but she doesn’t sing. I don’t remember the last time I heard her sing.
My stepfather is dozing next to her. Without opening his eyes, he says “What year was that?”
“1958. Do you remember this song?,” I ask.
“Sounds familiar,” he says.
I tell my mother; “This was your favorite record when you were a kid. You said you used to listen to it every day when you came home from school.”
She nods and softly says, “I was heartbroken.”
“Over who?”
“I don’t remember.”
She may not have remembered, but later that night, I did. His name was Jackie. I grew up in the same house that my mother did and sometimes I would find little hearts drawn in hidden places: on the wall inside the linen closet, on the underside of the coffee table. In these hearts she had written “Candy loves Jackie.” I remember asking her about him back then. She told me about the first boy she was in love with, and how crushed she was when it didn’t work out.
Would I have mentioned his name if I had thought of it in the back yard? Are painful memories better left forgotten? Or is it important to keep trying to remember simply as a brain exercise?
Maybe if I play this record for her next weekend, it will trigger a different memory. Maybe she will remember singing around the house, or the Pizza Hut guy. Maybe the memory of my phone call from Lincoln Center will come back to her. Or maybe next time, the song won’t sound familiar to her at all.
The record fades out as Arlene repeatedly pleads “Maybe…” Her fellow teenage Chantels, forever frozen in time, sing back to her; “Maybe maybe maybe…”
“This is my answer to a man who tried to induce me to live on a farm…”
Ladies and Gentleman, it is time once again to revisit that late great lady of song, Madame Spivy LeVoe (1906-1971), also known simply as Spivy. A lesbian entertainer, nightclub owner and character actress, Spivy has been described as “The Female Noel Coward” – to which I add “…. if he had been born in Brooklyn as Bertha Levine.”
“I Love Town” is an ode to urban living, specifically New York City. Decades before Alicia Keys and Madonna sang of their love of The Big Apple, long before Liza started spreadin’ the news, before Judy happened to like New York, Spivy loved town. The song appeared on her 78 rpm album Seven Gay Sophisticated Songs, first released in 1939 on the Exclusive label. Later reissues on Commodore and General Records switched out the original cover photo for a Carl Van Vechten portrait.
Of the15 songs Spivy is known to have recorded, 5 of them were written or co-written by John LaTouche. This is one of two that he co-wrote with Goetz Eyck, a German-born musician who would go on to a film career as Peter van Eyck.
Songwriters John LaTouche & Goetz Eyck, aka Peter Van Eyck
Spivy photo by Carl Van Vechten (1944)
I Love Town
I Love Town Take your old hound dogs with their yelping litters Give me Pekingeses that have the jitters Take your old oaked buckets, I’ll have gin and bitters I Love Town
I feel down in woodlands lousy with deer and squirrels Where the women get coy and the men get virile Mother Nature’s a dirty old girl: Think of rabbit’s habits
In the sacred portals of New York, the footmen stand in livery There are no traveling salesmen offering Rural Free Deliveries
I want to live in town where you hunt in Jaekal’s when you want a fox hide And you see fair hair of purest peroxide And you breathe fresh air of carbon monoxide I Love Town
I hate farms where the food is freshest and the life the crudest Give me nightclub life though it seems denudest Where a gal gets paid for going nudist I Love Town
I love garbage give me grapefruit rinds with coffee grounds in ‘em As for athletics, I’m all again’em Though I drink at bars, I never chin ‘em Muscle gives you a bustle
I can’t sleep in lonely country rooms, I rush and buy a ticket Yet I snore through the traffic’s boom without a goddamn cricket
I Love Town Where Carnation cows have contented faces And you get your tan in a jar at Macy’s And sand doesn’t get into awful places I Love Town!
Volunteer Santas, NYC (1977) photo: Susan Meiselas
I know I am not alone when I say that I take comfort in the annual repetition of the holidays: revisiting holiday-themed music, films, television shows… and now internet posts. Dave Holmes’ account of Patti LaBelle’s disastrous performance at the 1996 National Christmas Tree lighting is worth an annual revisit. Trust me.
Not to get meta or anything, but the post you are currently reading has been reworked and updated each year since 2020.
While we’re mining the past and dusting off our chestnuts, here’s the intro to the 1999 holiday episode of Bri-Guy’s Media Surf, an NYC Public Access show that featured yours truly lip-syncing a little Esquivel:
Whenever the song pops up on my holiday playlist, I still do this.
I find it interesting that we immerse ourselves in certain pop culture favorites for exactly 6 weeks of the year and then pack them up in mothballs with the ornaments until next year. I mean, Brenda Lee’s “Rockin’ Around The Christmas Tree” is currently at the top of the Billboard Hot 100. Burl Ives, Bobby Helms and Andy Williams are also in the top 10. Are any of them on your 4th of July playlist? They aren’t on mine.
Gabe Pressman (left) with Marilyn Monroe (1956)
I used to look forward to the annual Christmas Eve tradition on NBC New York’s evening news when reporter Gabe Pressman would read “Yes Virginia, There Is A Santa Claus.” I taped it in 2011, knowing that the tradition wouldn’t last forever. The self-described “little Jewish kid from the Bronx” was 87 years old at the time and continued to work at NBC until his death at age 93.
NBC New York reporter Gabe Pressman’s annual segment on Virginia O’Hanlon’s 1897 letter to the New York Sun Newspaper.
But wait! There’s more: My other blog posts of Christmas past are back to haunt you like A Christmas Carol, Mr. Scrooge.
We now have four 60 Degrees Girl Group Christmas playlists! These have been running each week this month on East Village Radio. Click here for streaming:
11/30/2025 Christmas Show #1: Holiday 60’s chicks and girl groups featuring lots of songs about snow and snowmen, winters warm and cold, blue holidays and Christmas trees.
12/7/2025 Christmas Show #2: The Classic Christmas Episode – our first holiday show from 2008. Featuring Darlene Love, Carla Thomas, The Supremes, Honey & The Bees and more.
12/14/2025 Christmas Show #3: British singers, obscure soul Christmas tracks, favorites from the Spector stable of artists, Motown and more!
12/21/2025 – Christmas Show #4: Featuring soul divas, duets, a boogie woogie Christmas, country ladies, Chess gospel soul and some ladies that really want a Beatle for Christmas.
I recently posted about Truman Capote’s classic short story A Christmas Memory, which includes the entire text, Capote’s 1959 reading of the story, and a link to watch the Emmy Award-winning 1966 television version starring Geraldine Page. Highly Recommended.
There’s a new Motown Christmas Special this year that has already aired in prime time this month, featuring Smokey Robinson, Gladys Knight, Martha Reeves and The Temptations. Here is my take on the 1987 Motown Christmas Special – which featured very few Motown acts.
My Canine Christmas Tail is a true story about my dog Sunshine, a basset hound with an appetite for tinsel.
Have you watched Christmas In Connecticut yet this year? How about that delivery woman? After years of speculation, last year I was able to identify the actress as Daisy Bufford.
The original version of “¿Dónde Está Santa Claus?” is featured in “Llamacita,” a 2024 Amazon Prime holiday commercial. Here’s a little backstory on the song & Augie Rios, who sang the original version.
Also – would you like to hear my Spotify holiday playlist?
Way back in 2002, when Limewire was a thing and people listened to music on silvery discs, I started creating Christmas CD mixes that I would mail out or give to people. These were received with a heartwarming combination of feigned delight, veiled indifference and deafening silence. None of these CDs had a pressing of more than 20 copies. I’d like to call them “much sought after” – but no, that’s not really the case, although every once in a while, someone really got into them and would ask for copies of other volumes.
And so, I’m offering this simple playlist…. for kids from 1 to 92. Unfortunately some of the tracks on these dozen CDs are not on Spotify, but I keep adding songs that would be on the current CD volume… if there was one. And now the playlist is over 18 hours of holiday tunes. I recommend listening on shuffle – there’s something to irritate everyone. Enjoy!
Here’s one more nugget to stuff in your stocking: This vid went viral in 2011. Choreographed and performed by Alex Karigan & Zac Hammer of the Amy Marshall Dance Company, it was filmed in one continuous take at the New 42nd St. Dance Studios. There’s something infectious about it: the joy, the corniness, the celebratory queerness of it all. It makes me want to dust off my jazz shoes. Once a year.
Since 2020, a few gay holiday films have dribbled out each December – not just on The Hallmark Channel but also on Lifetime, Netflix and elsewhere. I’m not here to crap on the genre, but there is a conveyor belt feel to these films. With the similar actors, sets, and plots, it can be difficult to remember which one had which fading star of yesteryear playing the mom. Obviously, if I didn’t get some enjoyment out of watching them, I wouldn’t tune in. But I don’t go all in for them, either. Please give me a combination of humor, wit, romantic chemistry, decent acting and/or a plot twist and I’ll stick with it. Check off more than a couple of those boxes and I might watch it again next year… if I can remember the title and what channel it was on.
In 2022, I put together a list of these movies to try and keep them straight, so to speak. What I didn’t realize at the time was that the following years would bring less, not more entries in the genre.
In December 2023, Queerty posted an article proclaiming, “The Hallmark Channel is gayer than ever this year!” As evidence, they had a massive list of exactly THREE movies that they considered gay. The first one, Catch Me If You Claus starred Luke Macfarlane in his 16th movie for the network. Yes, the Bros co-star is gay in real life, but the character in the film is not. Kudos to him for continuing to be cast in straight roles, but… do we then count this as a gay film?
As a reminder: The Hallmark Channel premiered 42 – FORTY-TWO – new Hallmark Christmas movies that season. And we’re supposed to kvell because TWO of them are gay-ish? Honey, please.
The 2024 holiday season garnered even less results: A sequel to an ensemble film from 2023 with Hallmark’s resident gay Jonathan Bennett in the cast. He must have an ironclad contract.
In retrospect, 2020-2022 is beginning to look like the lavender age of inane gay holiday movies. Let the nostalgia begin!
Fortunately, with so many different streaming services, you can now find some of these movies on multiple outlets, giving evidence that maybe they weren’t quite so disposable after all.
1) The Christmas Setup (2020) – Lifetime, Hulu, Sling TV
Older star playing a parent: Fran Drescher Romantic chemistry? Yes – this real-life couple generate a believable amount of TV movie warmth.
The Christmas Setup follows the story of New York lawyer Hugo (Ben Lewis) who heads to Milwaukee with his best friend Madelyn (Ellen Wong) to spend the holidays with his mom Kate (Fran Drescher). Kate arranges for Hugo to run into Patrick (Blake Lee), his high school friend and secret crush, who has recently returned after a successful stint in Silicon Valley. Hijinks begin.
2) Dashing In December (2020) – Amazon Prime
Older star playing a parent: Andie McDowell Romantic chemistry? Some. I guess. It’s an enjoyable movie but I don’t see these boys staying together.
After Wyatt (Peter Porte) comes home for the holidays to try to convince his mother (Andie MacDowell) to sell the family’s Colorado ranch, he finds romance with the dashing new ranch hand (Juan Pablo Di Pace) who dreams of saving the property and its magical Winter Wonderland attraction.
It’s a nice surprise to see Andie McDowell here, but I am reminded of when comedienne Paula Poundstone described her face as “an egg with a smile drawn on it.”
3) Happiest Season (2020) – Hulu
Older stars playing the parents: Mary Steenburgen & Victor Garber Sapphic chemistry? Yes, but not between the two that we’re supposed to root for.
This is the one with Kristen Stewart, Aubrey Plaza & Dan Levy. Stewart’s girlfriend invites her home for Christmas but fails to mention that she’s not out to her family and they must pretend to be friends. Hilarity ensues. A cut above Lifetime/Hallmark movies but I’m including it because it satisfies the same itch. Same genre, but overall higher quality thanks to the cast and Clea Duvall’s writing & direction. One caveat: I wanted Kristen Stewart’s character to end up with Aubrey Plaza. But that doesn’t fit the formula, does it?
Bonus points: Jinkx Monsoon & BenDeLaCreme are on hand for a couple of holiday songs.
4) The Christmas House (2020) – Hallmark+, Amazon Prime & Others
Older stars playing the parents: Treat Williams & Sharon Lawrence Romantic chemistry? The gay married couple is peripheral here, so it’s not required. They’re fine.
This was the first Hallmark movie to feature a gay couple, even if they are supporting players. Jonathan Bennett is the gay son with Brad Harder as the devoted husband. They want to adopt kids – that’s their side plot. The straight brother has the romantic interest storyline, while the parents have decided to give up their traditional grand ole “Christmas House” which, like all the other houses in these movies, looks like a realtor’s model home with decorations recently purchased at Kohl’s.
5) The Christmas House 2: Deck Those Halls (2021) – Hallmark+, Amazon Prime & others
Older stars playing the parents: Same as above. R.I.P. Treat Williams. ☹ Romantic chemistry? Maybe I’m being a sap, but this couple grew on me.
The sequel to the above film. This time the brothers are competing on a reality show to create the best Christmas House. It’s harmless fun.
6) Clusterfünke Christmas (2021) – Paramount+, Roku, Amazon Prime
“A no-nonsense hotel exec buys a family inn in northern Maine, but the town’s Christmas spirit clashes with her cosmopolitan values.” This one’s actually a spoof of the genre written by and co-starring Rachel Dratch & Ana Gasteyer as the innkeepers. Out actor Cheyenne Jackson plays the straight romantic lead. If Queerty can claim the Luke Macfarlane movie as gay, then we get this one, if not for Jackson, then just for pure camp value.
7) Under The Christmas Tree (2021) – Lifetime Movie Club, Amazon Prime, Roku
Older stars playing the parents: Wendy Crewson & Enrico Colantoni. Ricki Lake is also on hand. Sapphic Chemistry? Yes
As described in Vulture: Lifetime’s new and first-ever lesbian Christmas movie is a legitimately good queer film in which the main character, Alma (Elise Bauman), is not only accepted by her Maine-based, small-Christmas-business-owner parents for being a lesbian but encouraged to fall in love with out-of-town stranger Charlie (Tattiawna Jones). Cheesy as it is, the premise is as sweet as it is predictable with plenty of fun, memorable scenes and unexpected moments thrown in.”
8) Single All The Way (2021) – Netflix
Older stars playing the parents: Kathy Najimy & Barry Bostwick with Jennifer Coolidge as the diva aunt. Romantic chemistry? Yes
Peter (Michael Urie) finds out his boyfriend is married. They break up and he invites his best friend home with him for Christmas to pretend they’re a couple. His mom tries to set him up with Luke Macfarlane anyway. You’ll never guess who he ends up with. This one beat out Under The Christmas Tree to win the GLAAD Media Award for Outstanding TV Movie. Probably the best of the bunch, and not just for this monologue:
9) The Holiday Sitter (2022) – Hallmark+, Roku, Amazon Prime & others
Older stars playing the parents: NONE Romantic chemistry? Not that I recall.
Another Hallmark movie with resident gay Jonathan Bennett. Now he’s a workaholic from the big city who gets stuck watching his sister’s kids because of a snowstorm and she’s pregnant and going into labor or something. He recruits hunky neighbor Jason (George Krissa) to shepherd the precocious children through an endless list of absolutely necessary holiday activities. Bennett’s first major role years ago was in the movie Mean Girls. He also co-wrote this script, in which he actually tells the family dog “Stop trying to make ‘fetch’ happen.” I have nothing more to say.
10) A Christmas To Treasure (2022) – Lifetime, Hulu
Older stars playing the parents: Nobody I recognize. Maybe they’re big in Canada? Romantic chemistry? NONE.
A real-life gay couple with no chemistry try to find a hidden treasure… before it’s too late! 33-year-old Tyler Frey and 41-year-old Kyle Dean Massey are supposed to be high school sweethearts reunited with each other and their friends: two racially diverse straight couples. Everyone’s on an elaborate treasure hunt somehow engineered by a beloved frail old neighbor just before she croaked. However, nobody really needs the money except Frey, who wants to save the grand ole Marley house (again, a model home decorated at Kohl’s.) Someone actually says “I don’t need the money. I’m here for the cocoa.”
This one broke me. Who are these people? This movie is a painful reminder that a film can be racially diverse, but it certainly isn’t class-wise. If everyone’s so damn rich, why don’t they just give Frey the money to save the house? This one caused me to take a long break from viewing these movies. But now it’s a new season, and here we are.
11) Holiday Exchange (2024) – Tubi, Roku, Amazon Prime
Older stars playing the parents: Real Housewife Kyle Richards plays Mom. Romantic chemistry? Varying between the two couples.
The aforementioned Tyler Frey wrote the screenplay and stars in this gay version of the Kate Winslet/Cameron Diaz rom-com The Holiday. There are two budding romances, with Frey’s real-life husband Kyle Dean Massey left to play his ex-boyfriend. Rick Cosnett plays the Winslet role – a Brit transplanted in L.A. Maybe it’s the wine, but I found this one rather enjoyable.
12 & 13) Christmas on Cherry Lane / Season’s Greetings From Cherry Lane (2023/2024) – Hallmark +
There are actually four of these Cherry Lane Christmas movies – all are centered on the same house is different eras. Omnipresent Jonathan Bennett plays opposite Vincent Rodriguez III in two of them.
14) Friends and Family Christmas (2023) – Hallmark+ and others.
This one centers on lesbian friends (Humberly Gonzalez & Ali Liebert) who must pose as a couple for the holidays… and you’ll never guess what happens!
15) A Keller Christmas Vacation (2025) – Hallmark+
This ensemble piece stars (surprise!) Jonathan Bennett as one of three adult siblings who reluctantly join their parents on a Danube river cruise for Christmas, leading to family bonding, unexpected romance, and resolving old issues amidst European Christmas backdrops. The movie focuses more on family dynamics than typical Hallmark romance.
16) The Christmas Baby (2025) – Hallmark+
Hallmark’s singular gay-centric movie of 2025 is set to premiere on December 21st. Ali Liebert and Katherine Barrell play a lesbian couple who find a baby left on their doorstep. This leads them to explore fostering and adoption during the holidays.
Ok – I admit it: I am one of those people who started playing Christmas music last week. Yesterday the Christmas lights went up. I don’t normally rush this, but this rotted year has really done a job on me. However, I am comfortable enough in my middle-aged fruitiness to freely quote Auntie Mame at you: We need a little Christmas. Now.
One of my favorite holiday CDs of recent years is Tracey Thorn’s Tinsel & Lights – a smart collection of original and non-traditional holiday-themed songs perfectly suited to the Everything But The Girl singer’s melancholy voice.
The lead track, Joy (written by Thorn) has been on repeat in my home every December since its 2012 release. When I first posted this in 2020, the song felt like it was tailor-made for that pandemic holiday season.
The opening lyric: When someone very dear / calls you with the words “Everything’s all clear.” / That’s what you want to hear / but you know it might be different in the new year. / That’s why / That’s why / We hang the lights so high: Joy.
Now, as 2025 limps to a close, it’s a different lyric that strikes a chord:
So light the winds of fire / and watch as the flames grow higher / we’ll gather up our fears / And face down all the coming years / All that they destroy / And in their face we throw our Joy.
Here are some other Thanksgiving-themed goodies I have previously posted:
When it comes to holiday music, unfortunately Thanksgiving is lost in the long shadow of Christmas. There’s a severe lack of Thanksgiving songs, aren’t there? All we’ve got is “Let’s Turkey Trot” by Little Eva, and even then it is not really about Thanksgiving at all. The song’s title refers to the Turkey Trot, a dance step popular back in the early 1900’s.
“Let’s Turkey Trot” was Eva Boyd’s third single, released in 1963 with the hopes of recapturing the #1 success of her debut platter, The Loco-Motion. It had a respectable showing on the charts, peaking at #20, although it should have been billed as Little Eva & The Cookies, as the backing group is as much a part of the success of the record as the lead. Group member Earl-Jean McCrea delivers solo lines echoing their own hits Chains & Don’t Say Nothing Bad About My Baby, which also featured Little Eva on background vocals.
Here’s an abbreviated performance by Little Eva on Shindig in 1965. Darlene Love and the Blossoms stand in for the Cookies in what must be one of the proudest moments of their career. Gobble Diddle It!
The Dollyrots also covered this track in 2014. Besides using footage of Little Eva’s Shindig performance throughout the video, they also namecheck “Little Eva back in ’63”:
Want some “Mashed Potatoes” with your “Turkey Trot?” Here’s Dee Dee Sharp with her own ode to a Thanksgiving staple / dance move:
On the darker side… one of the faux trailers from Quentin Tarantino’s Grindhouse is the hilariously spot-on Thanksgiving, directed by Eli Roth. It is entirely plausible that someone would have jumped on the bandwagon of grade-z holiday themed horror films that followed the success of Halloween. But this one is a fake. In 2023, Roth did put out a full movie version of Thanksgiving. The original trailer retains it’s own seedy charm:
During the Thanksgiving episode of SNL in 1997, Lilith Fair stand-up comic Cinder Calhoun (a recurring character played by Ana Gasteyer) & singer Sara McLachlan paid a visit to Norm MacDonald and the Weekend Update desk, singing the Thanksgiving classic “Basted In Blood.” It would not be nearly as funny if they didn’t sing it so well.
Unfortunately this segment seems to have fallen off the annual SNL Thanksgiving Eve prime time special.
In 2019, Ana Gasteyer released a holiday album: Sugar & Booze. Highly recommended!
It’s hard to believe that it has been 17 years since I put together the first Halloween show for 60 Degrees with Brian Ferrari, my weekly radio program featuring “60’s chicks and girl groups – the hidden gems, cult favorites and unreleased obscurities of the decade.” The show ran for five years and has been back on the air since the relaunch of East Village Radio in July, 2024. This Halloween episode was originally broadcast on October 27, 2008 and aired every Halloween for the duration of the show’s run.
This year we have a new show! Halloween 60 Degrees Part II: Electric Boogaloo is streaming here:
Once again, we’ve got soul witches, rockabilly rabble-rousers, death discs, horror movie theme songs, science fiction sirens, girls driven to madness by love, and more dead boyfriends than you can shake a broomstick at. Plus a whole lot more! As with every episode, the songs are interspersed with vintage commercials, sound effects and movie clips.
I know I am not alone when I say that I take comfort in the annual repetition of the holidays: revisiting holiday-themed music, films, television shows… and now internet posts. Dave Holmes’ account of Patti LaBelle’s disastrous performance at the 1996 National Christmas Tree lighting is worth an annual revisit. Trust me.
Not to get meta or anything, but the post you are currently reading has been reworked and updated each year since 2020.
While we’re mining the past and dusting off our chestnuts, here’s the intro to the 1999 holiday episode ofBri-Guy’s Media Surf, an NYC Public Access show that featured yours truly lip-synching a little Esquivel:
Whenever the song pops up on my holiday playlist, I still do this.
I find it interesting that we immerse ourselves in certain pop culture favorites for exactly 6 weeks of the year and then pack them up in mothballs with the ornaments until next year. I mean, Brenda Lee’s “Rockin’ Around The Christmas Tree” is currently at #1 on the Billboard Hot 100. Burl Ives, Bobby Helms and Andy Williams are also in the top 10. Are any of them on your 4th of July playlist? They aren’t on mine.
Gabe Pressman (left) with Marilyn Monroe (1956)
I used to look forward to the annual Christmas Eve tradition on NBC New York’s evening news when reporter Gabe Pressman would read “Yes Virginia, There Is A Santa Claus.” I taped it in 2011, knowing that the tradition wouldn’t last forever. The self-described “little Jewish kid from the Bronx” was 87 years old at the time and continued to work at NBC until his death at age 93.
NBC New York reporter Gabe Pressman’s annual segment on Virginia O’Hanlon’s 1897 letter to the New York Sun Newspaper.
In keeping with this revisit, my other blog posts of Christmas past are back to haunt you like A Christmas Carol, Mr. Scrooge:
There’s a new Motown Christmas Special this year that has already aired in prime time several times this month, featuring Smokey Robinson, Gladys Knight, Martha Reeves and The Temptations. Here is my take on the 1987 Motown Christmas Special – which featured very few Motown acts.
My Canine Christmas Tail is a true story about my dog Sunshine, a basset hound with an appetite for tinsel.
Have you watched Christmas In Connecticut yet this year? How about that delivery woman? This year I was able to update my 2019 post, identifying Daisy Bufford as the actress who played the unbilled role.
The original version of “¿Dónde Está Santa Claus?” is featured in “Llamacita,” this year’s Amazon Prime holiday commercial. Here’s a little backstory on the song & Augie Rios, who sang the original version.
Also – would you like to hear my Spotify holiday playlist?
Way back in 2002, when Limewire was a thing and people listened to music on silvery discs, I started creating Christmas CD mixes that I would mail out or give to people. These were received with a heartwarming combination of feigned delight, veiled indifference and deafening silence. None of these CDs had a pressing of more than 20 copies. I’d like to call them “much sought after” – but no, that’s not really the case, although every once in a while, someone really got into them and would ask for copies of other volumes.
And so, I’m offering this simple playlist…. for kids from 1 to 92. Unfortunately some of the tracks on these dozen CDs are not on Spotify, but I keep adding songs that would be on the current CD volume… if there was one. And now the playlist is over 17 hours of holiday tunes. I recommend listening on shuffle – there’s something to irritate everyone. Enjoy!
Here’s one more nugget to stuff in your stocking: This vid went viral in 2011. Choreographed and performed by Alex Karigan & Zac Hammer of the Amy Marshall Dance Company, it was filmed in one continuous take at the New 42nd St. Dance Studios. There’s something infectious about it: the joy, the corniness, the celebratory queerness of it all. It makes me want to dust off my jazz shoes. Once a year.
Ok – I admit it: I am one of those people who started playing Christmas music last week. Yesterday the Christmas lights went up. I don’t normally rush this, but this rotted post-election month has really done a job on my belief system. However, I am comfortable enough in my middle-aged fruitiness to freely quote Auntie Mame at you: We need a little Christmas. Now.
Baron von Munchausen is ready.
One of my favorite holiday CDs of recent years is Tracey Thorn’s Tinsel & Lights – a smart collection of original and non-traditional holiday-themed songs perfectly suited to the Everything But The Girl singer’s melancholy voice.
The lead track, Joy (written by Thorn) has been on repeat in my home every December since its 2012 release. When I first posted this in 2020, the song felt like it was tailor-made for that pandemic holiday season.
The opening lyric: When someone very dear / calls you with the words “Everything’s all clear.” / That’s what you want to hear / but you know it might be different in the new year. / That’s why / That’s why / We hang the lights so high: Joy.
Now, in 2024 as we stare down the barrel of the gun that is the second Trump administration, it’s a different lyric that strikes a chord:
So light the winds of fire / and watch as the flames grow higher / we’ll gather up our fears / And face down all the coming years / All that they destroy / And in their face we throw our Joy.
Here are some other Thanksgiving-themed goodies I have previously posted:
When it comes to holiday music, unfortunately Thanksgiving is lost in the long shadow of Christmas. There’s a severe lack of Thanksgiving songs, aren’t there? All we’ve got is “Let’s Turkey Trot” by Little Eva, and even then it is not really about Thanksgiving at all. The song’s title refers to the Turkey Trot, a dance step popular back in the early 1900’s.
“Let’s Turkey Trot” was Eva Boyd’s third single, released in 1963 with the hopes of recapturing the #1 success of her debut platter, The Loco-Motion. It had a respectable showing on the charts, peaking at #20, although it should have been billed as Little Eva & The Cookies, as the backing group is as much a part of the success of the record as the lead. Group member Earl-Jean McCrea delivers solo lines echoing their own hits Chains & Don’t Say Nothing Bad About My Baby, which also featured Little Eva on background vocals.
Here’s an abbreviated performance by Little Eva on Shindig in 1965. Darlene Love and the Blossoms stand in for the Cookies in what must be one of the proudest moments of their career. Gobble Diddle It!
The Dollyrots also covered this track in 2014. Besides using footage of Little Eva’s Shindig performance throughout the video, they also namecheck “Little Eva back in ’63”:
Want some “Mashed Potatoes” with your “Turkey Trot?” Here’s Dee Dee Sharp with her own ode to a Thanksgiving staple / dance move:
On the darker side… one of the faux trailers from Quentin Tarantino’s Grindhouse is the hilariously spot-on Thanksgiving, directed by Eli Roth. It is entirely plausible that someone would have jumped on the bandwagon of grade-z holiday themed horror films that followed the success of Halloween. But this one is a fake. In 2023, Roth did put out a full movie version of Thanksgiving. The original trailer retains it’s own seedy charm:
During the Thanksgiving episode of SNL in 1997, Lilith Fair stand-up comic Cinder Calhoun (a recurring character played by Ana Gasteyer) & singer Sara McLachlan paid a visit to Norm MacDonald and the Weekend Update desk, singing the Thanksgiving classic “Basted In Blood.” It would not be nearly as funny if they didn’t sing it so well.
Unfortunately this segment seems to have fallen off the annual SNL Thanksgiving Eve prime time special.
In 2019, Ana Gasteyer released a holiday album: Sugar & Booze. Highly recommended!
It’s hard to believe that it has been 16 years since I put this Halloween show together for 60 Degrees wi Brian Ferrari, my weekly radio show focusing on “60’s chicks and girl groups – the hidden gems, cult favorites and unreleased obscurities of the decade.” The show ran for five years (2008-2013) on East Village Radio and has been back on the air since July, 2024. This Halloween episode was originally broadcast on October 27, 2008 and aired every Halloween for the duration of the run.
In this very special episode, we’ve got soul witches, rockabilly rabble-rousers, death discs, horror movie theme songs, science fiction sirens, girls driven to madness by love and more dead boyfriends than you can shake a broomstick at. Plus a whole lot more! As with every episode, the songs were interspersed with vintage commercials, sound effects and movie clips.
Brian Ferrari's Blog 