In 1939, 19-year-old Donald Windham moved to New York from Atlanta with his boyfriend, graphic artist/photographer Fred “Butch” Melton. They were welcomed into the New York circle of artistic types that included George Platt Lynes, Tennessee Williams, Paul Cadmus, Jared and Margaret French.
Donald Windham & Fred “Butch” Melton photographed by Jared French at his 5 St. Luke’s Place studio (ca 1941)
In 1942, Butch ended his relationship with Windham, opting for a more conventional lifestyle by getting married, fathering two sons and moving to Macon, Georgia. This didn’t last long: Butch met and fell in love with local artist Wilbur “Billy” Pippin. In early 1948, he left his young family and returned to New York with Billy. But that’s another story…
Donald Windham with Jared French & Paul Cadmus on Fire Island, ca 1940
In 1942, the newly single Windham supported himself by working at Lincoln Kirstein’s Dance Index magazine. He lived in the Cadmus/French studios at 5 St. Luke’s Place while they spent time at their rental on Fire Island. He would frequently visit there as well. The lithe young man with the striking profile became the subject of many PaJaMa photos and sketches.
Windham posed as a reference for Jared French’s Homesickness (1942)
Paul Cadmus met 21-year-old Princeton theater student Sandy Campbell at a party in 1943. The young man asked the artist to do a pencil portrait that he could give to his mother, as he suspected that he would soon be drafted. Cadmus was instantly smitten with the handsome young man. He went on to draw, paint and photograph him frequently throughout the following year.
Campbell is the central figure of Cadmus’s 1944 painting Reflection. Donald Windham was the original model for the figure laying on the floor. Before the painting was completed, however, the two models fell in love. Cadmus was not happy with this turn of events, and Windham’s likeness disappeared from the finished painting, with the figure’s head turned slightly away.
Donald Windham & Sandy Campbell photographed by George Platt Lynes (ca 1943)
Photographer George Platt Lynes photographed both Campbell and Windham several times in separate studio settings. In 1945, he shot Windham again with his friend and writing collaborator, Tennessee Williams.
Donald Windham, Tennessee Williams & Edmund Gwen photographed by George Platt Lynes (1945)
Windham and Williams co-wrote the play You Touched Me!, a romantic comedy based on a short story by D.H. Lawrence. It opened on Broadway starring Edmund Gwen and Montgomery Clift in late 1945. Unfortunately, reviews were mixed and it closed 4 months later.
Around the same time, Campbell was cast in a string of minor Broadway and film roles that would span the next 10 years. He then decided to give up acting and focus on editing and publishing Windham’s work.
Donald Windham’s literary output (1950-1998)
Windham & Campbell photographed by Carl Van Vechten (1955)
Windham’s 1972 novel Tanaquil is a fictionalization of his time among the George Platt Lynes / PaJaMa circle of friends. His later work focused on correspondence and reflections on his famous literary friends, including E.M. Forster, Tennessee Williams, Alice B. Toklas and Truman Capote.
Campbell & Windham with Capote
Windham & Campbell, ca 1987
Windham and Campbell remained a couple for the rest of their lives. Besides their New York City apartment on Central Park South, they also had a Fire Island house on Ocean Walk in The Pines, where Campbell died suddenly of a heart attack on June 26, 1988. Windham outlived his younger partner by 22 years, passing in May, 2010 at the age of 89. Their combined estates fund the annual Windham-Campbell Literary Prizes, established at Yale University in 2012.
Jack Parlett’s 2022 book Fire Island devotes almost an entire chapter to Donald Windham’s 70-year span visiting the island. Parlett writes; “(Windham) was part of the very first generation to discover its potential as an enclave; first as a young man, visiting Saltaire with some of the earliest queer artists to incorporate the island into their practice; and later as a man in his fifties, happily coupled with the love of his life, who made in the Pines an enclave within an enclave, a restful home for two people, even amid the loudness of the community’s sexual and cultural boom in the 1970’s.”
You may already know this, but anyone with an affinity for self-indulgent grande dame memoirs and/or the camp humor of Auntie Mame needs to seek out the 1961 book Little Me, The Intimate Memoirs of That Great Star of Stage, Screen & Television Belle Poitrine, as told to Patrick Dennis. The book spawned a Broadway musical starring Sid Caesar in 1962, which was revived with Martin Short in 1998. However, the book is whole different animal. The 2002 reprint with a new foreword by Charles Busch may be out of print, but affordable copies are easily found online.
The whole thing is a parody – a camp fiction classic created by the Auntie Mame author with over 150 photographs by Cris Alexander, an actor who appeared in both the stage and film versions of Auntie Mame. Alexander had transitioned into his second career as a photographer.
Actress Jeri Archer embodied Belle Poitrine in the photographs with a cast of characters playing her co-horts. Among the familiar faces in the company are character actresses Dodie Goodman and Alice Pearce, author Patrick Dennis (as Cedric Roulstone-Farjeon) and his wife Louise (as Pixie Portnoy). Cris Alexander also appears in various roles alongside his lifelong partner, ballet dancer Shaun O’Brien (as Mr. Musgrove). Miss Rosalind Russell makes an appearance as well.
The role of Letch Feeley, Belle’s hunky paramour and costar, was played by Kurt Bieber. After the publication of Little Me, Cris Alexander wrote, “Shaun and Kurt generated an unprecedented amount of fan mail, all sent to the publisher’s office.”
Letch Feeley & Belle Poitrine, aka Kurt Bieber & Jeri Archer in Little Me
Kermit Henry Bieber was born on January 5, 1929 in Allentown, Pennsylvania. A 1946 graduate of Emmaus High School, Bieber worked at the local Sears before serving in the Army during the Korean War.
After his discharge, he headed to New York, where he studied drama, dance and voice at The American Theatre Wing. Roles in summer stock soon followed, with ensemble work in Can-Can, Happy Hunting, Oklahoma! and Wonderful Town.
The Morning Call, Allentown, PA (6/21/1960)
It was his work in a regional production of On the Town that took his career to the next level. Cris Alexander later wrote, “Ross Hunter may have discovered Rock Hudson, but I discovered Kurt Bieber during a summer package of On The Town (Pittsburgh ’58).” By October of that year, Bieber was back in New York playing a sailor alongside William Shatner in the original Broadway production of The World of Suzie Wong.
More regional work followed, including a stint in the play Teahouse of The August Moon with Red Buttons. It was around this time that Cris Alexander began to shoot the photos for Little Me, casting Bieber in the role for which he is best remembered.
In Uncle Mame: The Life of Patrick Dennis, author Eric Myers writes “Most memorable to a certain contingent of the book’s audience was actor Kurt Bieber, who… displayed plenty of muscular flesh in nearly all of his photos.”
“I loved doing Little Me. People would stop me in the street and say ‘Aren’t you Letch Feeley?'” Kurt fondly remembered. “It was a first. No one had ever done a book like that… it was such a different atmosphere then. The photos were really a breakthrough.”
“Kurt Bieber is a poseur extraordinaire. The grace and symmetry of the youthful physique is captured in this study by Male Today.”
Following the success of Little Me, Bieber continued acting as well as modeling. He found work as a “posing strap” model for Male Today and other physique magazines. He was an early subject for Jim French, a photographer who was starting up a photo studio under the name Rip Colt. An early Colt film loop lists Bieber as one of the performers – a softcore scene with three muscular models lathering each other up in a shower – but none of the models appear to be him.
In 1969, Bieber had a bit part as a Times Square street hustler in Midnight Cowboy:
At the dawn of the 1970’s, 40-year-old Bieber – no longer a young chorus boy – opted for a new look. He transformed himself into the quintessential gay clone: an urban cowboy/mustache and Levi’s/hanky-code persona that would characterize the gay scene for the next decade. His photos for Colt studios now typify that era of gay erotica.
He was quoted as saying “I loved being photographed in the nude. I’ve always been an exhibitionist. To be an actor, you have to be. Besides, I got to choose the models. I chose hot men that I could get off on. That’s why they gave me (Colt superstar) Dakota.”
Colt Studios photo of Kurt Bieber with Dakota
Kurt Bieber (in a Colt t-shirt) outside Badlands in the West Village, NYC (1979)
While major film roles never materialized, Bieber appeared in several commercials and continued to garner background work in films like Last Summer and Chapter Two. He can be seen offering poppers to a cohort at The Eagle in the controversial Al Pacino film Cruising (1980):
His appearance in Cruising landed Bieber on the cover of the February 1980 issue of Mandate Magazine. In his interview, Bieber mentions that he played Letch Feeley among other acting roles. He differentiates himself from the other Cruising extras, some of whom were cast off the street. “I want to stress that I did it as a professional… It’s just a job.”
As for those rumored to be having sex on camera in the leather bar scenes; “On the set, some people were having sex for real, but (director William) Friedkin didn’t ask anybody to. No way I would suck cock in front of a camera,” he says.
Although Bieber doesn’t mention his work with Colt Studios in this article, four months later Mandate ran a 10-page spread titled “Whatever Happened To Letch Feeley?” This feature tracked Bieber from his Little Me photos through his work with Colt Studios.
When asked to sum himself up at the close of the article, Bieber said with a smile; “I’ve done a little bit of everything and I’ve loved every minute of it.”
Later in 1980, Bieber was done in by a poison dart in Times Square during the opening sequence of Eaten Alive, an Italian cannibal movie:
The epilogue of Uncle Mame: The Life of Patrick Dennis (2000) notes that Bieber “has been an extra in almost every movie ever filmed in New York City. Kurt says he is ‘still around and still cruising Christopher Street.'”
Kurt Bieber behind Whoopi Goldberg and Patrick Swayze in a scene from Ghost (1990)
Decades later, Little Me fans still recognized him. “Even today, I’ll sometimes walk into a store and someone will say ‘Wow! Letch Feeley!’ How they recognize me after all these years, with my white hair, I’ll never know.”
Kurt Bieber passed away at age 86 on December 31, 2015 in New York City.
Paul Cadmus & Jared French, Fire Island, PaJaMa (1940)
I have previously written about The PaJaMa collective’s Fire Island summers. They were frequently joined by fellow artists George Platt Lynes and Bernard Perlin, as well as a parade of friends and lovers, performers and literary types from their New York social scene. They were almost exclusively attractive young gay men who served as models and muses for the artists.
Hard to believe but it has been a year since the last Artist’s Muse profile – these are men who inspired and were subjects of 20th Century painters, photographers, and other artists. It was last January that we cast the spotlight on Jose “Pete” Martinez. Chuck Howard was profiled in September, 2022 and is currently being featured in George Platt Lynes photographs on exhibition at Childs Gallery in Boston. If you read our post and then take a look at their press release, you might surmise the primary source of their biographical material.
Our latest Artist’s Muse is William Weslow, a ballet dancer with an extraordinarily long career who was also a Broadway performer, artist, and masseur. He posed for George Platt Lynes’ camera during their brief relationship, and was later involved with choreographer Jerome Robbins. He posed nude for dance photographer Kenn Duncan when he was in his 50’s, looking as fit as in photos from 25 years earlier.
The Columbian, Vancouver, WA (6/7/44)
William Edward Weslow was born on March 20, 1925 in Seattle, Washington. His mother had been a Ziegfeld dancer, and he soon followed her lead. As a teen, Weslow studied with famed dance instructor Mary Ann Wells. His 1943 draft registration card lists him as a student at Broadway High School in Seattle. Later that year, he joined the Navy Coast Guard and was stationed in the Alaska.
Annie Get Your Gun (1946) Ethel Merman with Weslow on the right (Photo: Eileen Darby)
After his stint in the Navy, Weslow headed to New York to continue his ballet study. He joined the Ballet Theatre, but soon turned his attention to the Broadway stage. He was in the original Broadway casts of two Ethel Merman vehicles: Annie Get Your Gun and Call Me Madam, the latter choreographed by Jerome Robbins. Besides touring companies, he also appeared on Broadway in the original casts of The Girl In Pink Tights and Wonderful Town with Rosalind Russell.
Weslow photographed by George Platt Lynes (1951)
It was around 1951 that Weslow had his brief relationship with photographer George Platt Lynes. The affair was so fleeting that it did not garner a mention in Allen Ellenzweig’s recent Lynes biography. In David Leddick’s Intimate Companions, it is summed up in a single anecdote:
Dancer William Weslow, who had a transitory but more serious than usual romance with George Platt Lynes in the early 1950’s, evidently treated the photographer to the kind of temperament Platt Lynes had displayed to his admirers in the past. Dining at Platt Lynes’s apartment before a performance, Weslow had requested a steak because of the demanding dancing that was to be done that evening. Instead, Platt Lynes served him an elaborate veal dish, which the young dancer flung against the wall before leaving in search of a steak.
Lynes’s photographs of Weslow are also rare, due in part to the paper negative process that the photographer was experimenting with at the time. This cost-cutting technique gave the photos a quality that have been described as either “ethereal” or “muddy.”
When he wasn’t on stage, Weslow enjoyed painting and sketching, with an affinity for exotic birds, both real and imagined. His work garnered several gallery showings through the years.
Buffalo Courier Express (4/1/51) &New York Post Star (7/9/71)
New York Daily News(1/1/54)& (11/6/54)
Weslowwas a soloist at Radio City Music Hall, New York Daily News (6/20/56)
In 1955, he originated the role of Levi Stolzfuss in the Amish musical Plain and Fancy. After nearly 10 years in musicals, he felt the need for a change. When the show closed the following year, he rejoined the Ballet Theatre for a brief stint before settling in at the New York City Ballet for the rest of his dance career.
Like his relationship with Lynes, Weslow’s dalliance with choreographer Jerome Robbins was so fleeting that most biographers fail to mention it. It is worth noting as it caused friction between the two while they continued to work together. Weslow is not alone in saying that Robbins could be vindictive, manipulating his dancers because of personal grudges, often pitting them against each other.
Weslow also caught the eye of New York City Ballet Director Lincoln Kirstein. He rebuffed his advances, stating “I don’t find you attractive, Mr. Kirstein.” “Who asked you to find me attractive?” Kirstein snapped, “I was just asking you to come over to the house for a few drinks and stay over.”
Later, the two had a chance meeting at a gay bathhouse. Weslow greeted him loudly with “Why Lincoln, hello! Come here often?” The married Kirstein did not respond and left the establishment.
1963 Ad for New York City Ballet
1963: Weslow & Suki Schorer in Variations from Don Sebastian (photo: Martha Swope)
1964: Weslow & Sara Leland in La Valse (photo: Martha Swope)
1964: William Weslow & Carol Sumner are the dancers in the first of 4 Temperaments – NYCB filmed for Canadian Television
1965: New York City Ballet rehearsal for Don Quixote (l-r) Nicholas Magallanes, George Balanchine, Richard Rapp, Jillana, William Weslow (photo: Martha Swope)
Camden Courier Post, New Jersey (3/8/66)
1966: Weslow & Marnee Morris in A Midsummer Night’s Dream (photo: Martha Swope)
1967: Weslow & Leslie Ruchala in Don Quixote (photo: Martha Swope)
In the mid 1960’s, Weslow began cultivating a side career as a masseur, working on fellow ballet dancers including Alicia Alonso and Edward Villella, who credited Weslow’s massages with extending his career by several years. Weslow makes a brief appearance as his masseur in the 1968 documentary Man Who Dances: Edward Villella.
In 1972, Weslow was dismissed from the New York City Ballet. He was 47 years-old and had been with the company for 14 years. In the book I Remember Balanchine, he recounts Balanchine telling him, “You’re too old. You have to leave company. We only want young, pretty dancers here. Old dancers – you see, when they get old they should just go away and die. This is what they should do, die. Because you’re not pretty. No youth… Besides, dear, you’re not going to commit suicide, are you?”
He replied; “To please you, no, I wouldn’t, Mr. Balanchine.”
“And that was that,” Weslow writes; “He didn’t say ‘You have been a good dancer’ or anything. It was just ‘Go away. Go away.’ I was close to tears. It was a terrible blow because I adored the company.”
Weslow’s massage work helped him to keep a connection to the dance world while easing into the next phase of his life, as he became known as “masseur to the stars.”
1976: Weslow was 51 years old when he was photographed by Kenn Duncan
When former ballet dancer Anne Byrne (aka Mrs. Dustin Hoffman) was profiled in the New York Daily News, her masseur William Weslow was there to lend a hand or two. (1/22/78)
William Weslow (1997)
When interviewed later in life, a reporter recalled “He seemed to love Maria Tallchief and had a poster of her on the wall. He also had kind words for Allegra Kent. He could be quite sarcastic, compassionate, cranky and deeply moving remembering certain people and other things.”
Allegra Kent called him “the funniest comedian ever” while also noting his empathy for others. He could also be quite brutal in his assessment of those he had worked with. Of Kirstein he said, “There was cruelty in Lincoln.” Jerome Robbins, he told a biographer “should have been cut up in small pieces and burned in a microwave somewhere because he was so horrible to me.”
William Weslow (2000)
While photographing male nudes for his 2011 book Shades of Love, photographer Demitris Yeros recounts how a naked octogenarian William Weslow would repeatedly interrupt the photo shoot, arms waving to chase the pigeons from his veranda.
William Weslow passed away at age 87 on January 29, 2013 in New York City. He was remembered in a Dance Magazine article as “A flamboyant personality with a sassy comeback for any remark directed his way…. (he) was as colorful off stage as on.”
In August of 2020, porn star Koldo Gorantweeted about three fellow performers who had recently died. Goran’s tweet was the only public notice that one of them, Dani Rivera, had been murdered. “I realize nobody talks about it, we are unprotected and forgotten;” Goran tweeted “We are humans, people, enough of contempt.”
Most gay news outlets choose to ignore the passing of all but the biggest names in the adult film industry. Porn companies also seem reluctant to broadcast the death of a performer who is still on their roster, forever young and willing in their website content. An obit is a real boner killer, ya know? Why jeopardize the profit margin?
Additionally, performers who abandon their porn personas and return to life under their real names often pass away unnoticed by former employers and scene partners.
This year’s list contains no people of color. Why? Is it that none have passed on or that they haven’t been reported yet? For this reason – and due to continued interest from fans – there are ongoing updates to the lists of porn star passings in 2020, 2021, and 2022.
We remember those that were lost in 2023 to prove Koldo Goran wrong – they have not been forgotten.
1) Ed Fury was not a gay porn star per se, but he was as close as the 1950’s would allow. The bodybuilder began his career posing nude for photographers Bob Mizer and Bruce of LA and appearing in posing strap film loops for AMG and Apollo studios. While his photos graced the covers of many physique magazines, major Hollywood film roles remained elusive. Most of his film and television appearances in the 1950’s were uncredited bit parts.
It was in the Italian “sword and sandal” films of the 1960’s that he found his greatest mainstream success, starring in Colossus And The Amazon Queen and as the title character in three Ursus films, among others. Back in the US, he continued to work primarily on television until his retirement in the late 1970’s.
Fury passed away at age 94 on February 24, 2023.
2) Johnny Harden, aka Johnny Hardin aka Gene Carrier was born in Bellevue, Washington on January 30, 1956. He appeared in both gay and straight adult films from 1977-1984, although it was his work as a print model that best displayed his charms. He modeled for Colt and Falcon and appeared in Playgirl and most of the gay publications of the day. After a rumor circulated that he died in a car crash, he resurfaced as a fashion and catalogue model.
3) Pike Young, aka Sean Hensley was 29 years old when he passed away on February 25, 2023 in Florida. In 2013, the North Carolina native appeared in a half dozen scenes as “Sean” for FratX and also worked for BaitBus, Reality Kings and Pride Studios.
4) Eric Manchester, aka Ronald Liter was one of the top names in gay porn during the second half of the 1980’s. He was featured in dozens of films for the top studios of the day: Falcon, Vivid, HIS, Catalina and others. He appeared in Head of the Class and John Travis’s Powerline,both profiled here.
5) Kaden Porter and his brother Kyle were identical twins from Kansas who began filming scenes at Broke Straight Boys when they were 19 years old. Kaden’s distinctive chest tattoo helped to differentiate the two. Although Kyle seemed to be more comfortable on camera, it was Kayden who appeared in more scenes, logging over a dozen titles from 2015-2017. Kayden later became a holistic health consultant, according to his online profile. He was living in Austin, Texas when he passed away at 27 years old on March 24, 2023.
6) Derek Sketer was also known as Derek Sky at Gay Castings, Paul at Sean Cody, and James at Corbin Fisher. He was born September 10, 1990 in Houston, Texas and made his first Sean Cody appearance in 2011. He filmed a dozen scenes over the next four years, also working for Gayroom and Man Royale. In October, 2025 the Men Of Porn blog posted that he passed away in March, 2023 at age 32.
7) Trevor Laster, aka Ethan Ewers passed away at age 31 on March 30, 2023. Photographer James Franklin posted on Twitter: “My dear sweet friend @thetrevorlaster committed suicide yesterday in Eugene, Oregon. His family is devastated. ” Trevor started doing porn at Helix Studios in 2010. Over the next 12 years, he worked for Raging Stallion, Broke Straight Boys, Chaos Men, Kink, Next Door Studios, Southern Strokes, Men and others. In 2019 he shifted his focus to more fan-based platforms like Onlyfans while still making occasional studio appearances.
Laster was passionate about fitness and worked as a personal trainer. He also garnered modeling work with brands like Andrew Christian and photographers Michael Stokes and James Franklin.
8) Marco Blaze, aka Juan Jose Garay was born in Argentina on June 10th, 1982. He was a performer on cruise ships before venturing into gay adult films in 2008. Appearances in titles for Kristen Bjorn, Cazzo, Alphamale, and several other studios led to an exclusive with Titan Media, where he was one of their most popular models in a dozen films from 2009-2014.
Social media posts announced his overdose at his home in Buenos Aires on April 6, 2023 after struggling with addiction for several years. He was 40 years old.
9) David Hurles first appeared in Guild Press gay porn magazines of the late 1960’s before moving behind the camera at the company. He went on to create Old Reliable Studios, an iconic record of “rough trade” through the 1970’s & 80’s. Originally from Cincinnati, Hurles made his way to California, where AMG’s Bob Mizer became his mentor. While Mizer focused on the more conventional prototype of beefcake, Hurles, as the Boyculture blog pointed out “fetishized the masculine and dangerous aspects… His work is identifiable from a mile away, a collection of seedy, weedy men who looked like they arrived for their shoots fresh from prison — or on their way there.”
Although the studio was very lucrative at the time, mismanagement and internet services were its downfall, and Hurles fell upon hard times. In 2008, he was permanently disabled by a stroke just as his back catalogue was getting rediscovered.
In 2010, a glossy book highlighting the best of Old Reliable was published. Outcast: David Hurles Old Reliable In Living Color featured Hurles’ best photography. A gallery showing of his photos was curated by his friend Dian Hansen and John Waters at New York City’s Marianne Boesky Gallery. The following year, Hurles was one of the subjects of John Waters’ book Role Models. He was reportedly delighted by the belated appreciation of his work.
After years of failing health, Hurles died in a California nursing home on April 11, 2023, aged 78.
Factory Video owner Scott Morris sometimes took a turn in front of the camera, including a scene from Scent Of A Fetish with Sam Ritter (aka Stephen Geoffreys).
10) Scott Morris, aka Robert Todd Fulton was a founder and sometime performer at Factory Video. He passed away on April 14, 2023 in his Cathedral City, CA home after a year long-battle with cancer of the tongue, head, and neck. He was 68 years old.
In 1998, Morris founded San Francisco Fetish Factory, an online fetish wear website that prompted an expansion into a gay male adult video company, Factory Video Productions, in the early 2000’s.
His work as an activist dated back to his teen years in post-Stonewall New York. Morris continued his work as a gay community activist, DJ and promoter in NY, Ft. Lauderdale, LA, Palm Springs and San Francisco. He was survived by his partner of 31 years, Gordon Fulton (aka Gord Reece).
11) Casey Tanner, aka Slade passed away on April 15, 2023 in San Diego at the age of 28. His partner confirmed that Casey had been suffering from health problems for years. His organs began failing after he contracted pneumonia a month prior. Originally from Ohio, he worked with Helix Studios between 2013-2016 before retiring from the adult industry and moving to San Diego with his partner around 2017.
Helix model Liam Riley posted on social media: “Casey Tanner was my best friend. He was one of the funniest, sweetest, caring humans. He was sweet enough to help me move all the way across the country — if that says anything for the person he was. He was always down for an adventure! I hope he knows he was loved by so many people. Thank you for being there when I needed you. I’ll keep a piece of this friendship with me for life. Fly high.”
One of the biggest stars at Helix, the Texas native won many awards and appeared in over 100 scenes before retiring in 2020. He then worked behind the scenes at Helix until earlier this year.
13) The porn world was shocked by the brutal murder of 52-year-old William Futral, owner of The Guy Site. Model Ludvig (aka Richard Lam) was arrested and charged with the murder several days later. Lam and Futral had been living together for several months. They reportedly had an extremely volatile relationship that began after Lam started working for The Guy Site in 2020.
Just for Fans owner Dominic Ford posted on social media, “I am absolutely gutted to hear of the murder of Bill… one of the kindest, gentlest people in our industry. He was always humble, appreciative, and soft-spoken. I’ve known him for 13 years. There was never a nicer man.”
None of the news stories have carried a single photo of the victim, choosing instead to focus on the muscular (alleged) assailant. The Guy Site is now shuttered.
14) Bryan Knight, the 6’6″ 300lb “gentle giant” died of a heart attack in his sleep on September 3, 2023. He was 39 years old. Although he had a complete physical two weeks before, his family had a history of heart ailments and his enlarged heart went undetected, according to Snake, his partner of 20 years.
Robby Lewis of Luxxxe Studios shared the news online a few days later: “Adult film actor and generally good human being Bryan Knight went to bed on Sunday, September 3rd and did not wake up. Everyone at Luxxxe Studios is saddened by this loss, especially JD Daniels, who was a close personal friend of Bryan’s.”
Knight began his adult film career in 2012 with Bear Films. He worked with various studios over the next decade, including Maverick Men, Pride Studios, Nasty Daddy, and RawFuckClub.
Knight was also a talented comic book artist. In The Velvet Collar, he drew on real-life experiences to create something that celebrated him and the people he loved in the adult film world.
15) Jason Nikas was 51 years old when he died on September 19, 2023 in Las Vegas after a long battle with cancer. The Arcadia, California native performed in gay and bi films under many different names – Johnny Guetar and Jason Wikes were just two of them. In trans roles, he was Ann Drogeny (get it?). For his work behind the scenes in porn productions, he used his real name: Patryk Strait, believe it or not. Nikas racked up more than 120 titles between 1992 and 2012.
Every once in a while there’s a performer whose face betrays them with glimpses of underlying… what? Sorrow? Pain? Something that reveals the scars of a life that has led them to sex work. Their time in the biz is usually short. The first time I ever remember seeing this was in the early 90’s with Jason Nikas. There was something in his facial expressions that evoked the word “shattered.” But unlike others, he stuck around for nearly two decades, going through the motions in scene after scene, never elevating any of them beyond the B-grade companies he worked for, which included Vivid, Leisure Time, and Robert Prion’s Galaxy Studios. Mickey Skee’s tribute to his friend and coworker gives a more well-rounded picture of someone who seems to have had a happier life than the one he exuded on screen.
16) Shane Erickson, aka Eric Anthony Crew was 38 years old when he died on September 26, 2023. His boyfriend Michael posted on a GoFundMe page “after searching for him for two days I finally found him… unresponsive and long beyond aid on the floor of a hotel room… I don’t even know what to say, he had been struggling for a long time with demons from his past. I did everything I could to be there for him and I couldn’t save him…”
The San Diego native made his first film appearance in 2005 and over the next 8 years worked for Falcon, Jet Set, College Dudes, Next Door, Kink, SX and other outlets.
17) Hank Hightower was mainstream gay porn’s quintessential leather bear in the 1990’s. The versatile performer made his debut in 1993 and worked with Stallion, Rawhide, Catalina, Vivid, Zeus, Brush Creek, Jet Set and other studios over a 15 year period.
His friend Jeff Yarbrough announced on Facebook: “Henry Robert Hightower passed away today, Nov. 1, 2023, at 3:30am. As per his wishes, he died at home surrounded by his two pups. He passed peacefully.” The California native was 57 years old and had been battling cancer.
18) Colt Man Luke Garrett, (aka Steve Rudig) passed away on November 4th, 2023 “after a difficult year of numerous illnesses,” according to his obituary. The Visalia, California native was 53 years old. During his years as a Colt model, his boyfriend was fellow performer Gage Weston. Although his film career was short – just three years with less than 10 films to his credit – Garrett made a lasting impression on fans. His status as an iconic Colt model kept them hoping that he would return to the business one day.
It’s that time again… due to popular demand, we have a 7th installment of WWII-era photos featuring the jockstrap-clad pre-flight training school cadets at St. Mary’s College in California. You can view the first one here, with links to all the rest at the bottom of the article. This is the third installment focusing on these strapping young men – many away from home for the first time – photographed as they trained to go to war during the holiday season.
I first became aware of these black and white 5″x7″ triptych photos several years ago. Listings turn up on auction sites frequently, where the photos are often accompanied by the index card used to record the physical training progress of the cadet.
The earliest photos (from June 13, 1942) feature the men completely nude, but all subsequent photos feature the cadets in jockstraps, standing behind some sort of grid fencing to better detect posture misalignment and spinal curvature.
There is still some confusion between these photos and the Yale / Ivy League posture pics, since the Navy photos were sometimes used to illustrate stories about the Yale pics. Note that all of these images contain a visible U.S. Navy / St. Mary’s Pre-Flight School placard, even if they have been cropped out in some posts. Similarly the Yale University photos are identified as such within the frame of the photos:
Fortunately for us, multiple photos of some cadets have surfaced, allowing for comparisons of their training progress:
Comparison photos 11/2-12/1/42
And while there is a lack of ethnic diversity, there are a variety of body types.
Comparison photos: 10/24 – 12/22/44
My collection now includes over 800 jpegs of different cadets. While some of these men did perish during WWII, the largest majority that I have researched lived to ripe old ages.
Comparison photos: 12/8/43-2/2/44
Any surviving cadets would now be close to 100 years old. I recently discovered one who passed away last year at the age of 103.
Comparison photos: 11/2-12/22/42
One thing these young men have in common, as they were documented in timeless photos of their physical prime: they were far from home during the holidays, training to fight for their country.
At this time of year, 80 years later, we again salute The Greatest Generation for their fine forms and dedication.
Kenn Duncan is widely considered to be one of the foremost dance photographers of the late 20th Century. In addition to his work as principal photographer for After Dark and Dance Magazine, his photos also appeared in Vogue, Time, Life, Newsweek and Harper’s Bazaar. From the mid-1960’s through the early 1980’s, he photographed nearly every major dance company in the world as well as many Broadway shows.
Born in New Jersey on September 22, 1928, Duncan began his career as a figure skater and then segued into dance. His career took another turn when he was sidelined with a broken foot and signed up for a six-week photography course at the local YMCA. Naturally he gravitated back to the dance world for photographic inspiration.
In addition to his dance photography, Duncan was well regarded for his nude photographs, with an emphasis on male subjects. His first two books, Nudes (1970) and More Nudes (1971) were favorably received for his “discreet and artistic arrangements of his subjects.”
Christopher Walken (1968)
After Dark was an edgy entertainment and culture-based magazine that sprang from the waning Ballroom Dance Magazine in 1968. In The Rise And Fall Of Gay Culture, Daniel Harris writes; “One of the strangest reincarnations in journalistic history… it was out of the ashes of a periodical devoted to such topics as waltzes, rumbas, and turkey trots that After Dark, an audacious mass-market experiment in gay eroticism, arose like a phoenix in all of its subversive splendor.”
Although After Dark was not officially a gay magazine, the publishers were certainly willing to cater to that audience, pushing the envelope on male nudity to a degree that is still not seen in mainstream US publications 50 years later.
Duncan photographed Bette Midler numerous times through the years, including three After Dark cover photos and the cover shot for her 1976 Live At Last LP.
After Dark shuttered in early 1983. The following year, Duncan published The Red Shoes, a photo book featuring celebrities wearing red shoes in a nod to both the Hans Christian Anderson fairy tale as well as the ruby slippers of The Wizard of Oz. Among those featured were many familiar subjects of his earlier work, including (pictured below) Brad Davis, Bette Midler, Maxwell Caulfield, Eartha Kitt, Dick Cavett, Mikhail Baryshnikov, John Curry, Richard Thomas, Gregory Hines, and Treat Williams.
Duncan began work on a second Red Shoes book, but it remained unfinished, along with several other projects. He was just 57 years old when he died of AIDS complications at New York Hospital on July 27, 1986. In 2003, the New York Public Library for the Performing Arts acquired 600,000 photos from Kenn Duncan’s estate. Many of these photos have been digitized and are now available for viewing online for free.
The recent brouhaha over exposing Michelangelo’s David to impressionable Florida public school children reminded me of the classic sculpture’s 1998 appearance on Robin Byrd‘s Men For Men. For those outside of Manhattan, this was a late night cable TV show featuring strippers and adult film entertainers that aired nearly every night of the week. Apparently, poor Dave had fallen on hard times and was shaking his marbles for cash on 8th Avenue. At least that was the way it appeared on my public access show, Bri-Guy’s Media Surf.
Maria, the beleaguered salt shaker.
I have written about Media Surf in the past – it ran on Manhattan Neighborhood Network from 1997-2007. In the early years, I created short segments using stop-motion with my video camera. Most featured a portly salt shaker named Maria. After a while I grew tired of the time consuming technique. David’s striptease was one of the last that I created.
/\ /\ I’m leaving this here to show how ridiculous YouTube is. /\ /\
I wanted to utilize my set of David refrigerator magnets on a red metal background. It had to be metal for the magnetic properties, and the red would emulate the lurid background on Robin’s show. I was still trying to figure out how to execute this when I came home one day to find that the apartment doors in my building had been re-painted glossy red. Perfect! I propped my door open, set up my camera tripod and went about creating the frame-by-frame striptease. Luckily I lived on the top floor and was uninterrupted by puzzled neighbors wondering what the hell I was doing.
In the version that aired 25 years ago, David was dancing to Madonna’s “Erotica” – a song that every third performer on Robin Byrd’s show seemed to use at the time. Unfortunately, Madge and Warner Brothers Music are most intolerant of the unauthorized use of their recordings. Rather than risk having the video removed from social media platforms, I switched it out. David now shimmies to Man Parrish / Man 2 Man’s “Male Stripper,” a much better choice of song that I wish I had used in the first place.
I was planning to use a clip of Robin’s generic “Lie back, get comfortable” guest introduction and then cut to David’s performance. It was pure luck that I happened to be recording her show one night when she introduced a guest named “David.” Sometimes the stars align to help create a classic piece of work. 😉
June, 2022 marked 80 years since the start of the U.S. Navy pre-flight training program that took place at St. Mary’s College. Images of naked or jockstrap-clad cadets were taken during training at the school in Moraga, California when it was requisitioned for the war effort from 1942-1946. You can see more of these photos in our previous posts:
Unfortunately, there is still some confusion when these pictures surface, as they are sometimes miscredited as Ivy League posture photos. For comparison, here are two of the different Yale posture photos:
The single profile pose was used from the late 1930’s until 1952. It was then replaced with a mirror/ triptych setup, which has “Yale” visible in the background.
Prior to World War II, there were other physical fitness photos taken at the army base in Ft. Sheridan, Illinois. These fully nude pics do not pop up on the internet as often as those from St. Mary’s Pre-flight school. As shown above, both sets of photos contain the location identified within the photo.
The St. Mary’s photos were taken to measure the fitness progression of each recruit as they underwent extreme physical training. Each picture was accompanied by an index card containing body measurements and physical achievement statistics over the course of several months.
This allows for some contrasting images that would be the envy of many fitness plans.
Comparative photos: March 1 – May 5, 1943
Only the earliest St. Mary’s photos – dated June 13, 1942 – feature the men completely nude. All subsequent photos feature the cadets in jockstraps. In all of the photos, the men stand behind some sort of grid fencing to better illustrate misalignment and spinal curvature.
My collection of photos gathered from around the internet now includes over 750 different cadets. The youngest identified died at age 20 and the oldest lived to 103 years old.
Whether the individual photos of these handsome young men capture them at the beginning of their lives or tragically close to the end, all of the subjects are timelessly captured in prime physical condition as they trained to serve their country. 80 years later, we salute and admire their fine forms and dedication.
Navy Memorial Bench plaque from the St. Mary’s campus.
In last summer’s post about the PaJaMa Collective – artists Paul Cadmus, Jared French and his wife Margaret – the focus was on their Fire Island photos of the late 1930’s. One of the friends who cavorted with the trio during that time was José “Pete” Martinez, a dancer from New York City who was involved with their friend, arts patron and ballet impresario Lincoln Kirstein.
Paul Cadmus’s 1937 sketch of José Martinez appears in Charles Kaiser’s book The Gay Metropolis.
In David Leddick’s book Intimate Companions, Martinez is described as “a droll and witty young man… Those who knew the two men in the 1930’s said he was capable of endlessly amusing his lover, and that of all the men in his life, Martinez was the man that Kirstein most likely loved the most. Kirstein loved gossip and other men’s tales of their sexual exploits, and this love of storytelling drew him to Martinez. In addition, Martinez was handsome, and many artists painted, drew and photographed him. “
Fire Island PaJaMa photos featuring José Martinez with Paul Cadmus, Jared and Margaret French, ca 1938-39
Besides The PaJaMa Collective, those artists included Paul Cadmus’ sister Fidelma and photographers William Caskey and George Platt Lynes.
The most memorable Lynes photo of Martinez is a studio shot with the dancer perched in a window frame wearing nothing but a wide brimmed sun hat.
George Platt Lynes photographs of José Martinez.
Pete Martinez (who sometimes used the stage name Pete Stefan) was born José Antonio Martinez-Berlanga in Mexico on March 13, 1913. His family moved to Houston, Texas when he was quite young. Mama Martinez had been a folk dancer back in Mexico and one of Jose’s sisters dreamed of following in her footsteps. Little José was drafted as her dance partner. The scenario is familiar to many boys who begin to study dance as children: the sister loses interest and drops out, but he continues on. It’s a page torn out of A Chorus Line. Later an uncle took him to see Ballet Russe, which further strengthened his resolve to dance. “I was going to set the world on fire,” he would later recount.
After graduating high school, much to the chagrin of his parents, José moved to New York City to study at the School of American Ballet, where he eventually gained a full scholarship. Upon graduation, he was invited to join the company.
José Martinez photographed by Paul Cadmus, ca 1938
Martinez caught the eye of Lincoln Kirstein, and the relationship progressed to the point that they moved in together.
The PaJaMa photo “After The Hurricane” features (l-r) Jared French, Lincoln Kirstein, José Martinez, Forrest Thayer and probably Paul Cadmus. Tragically, costume designer Forrest Thayer was killed in a Southampton single car accident in 1951.
Martinez became a member of The Ballet Caravan, a touring company founded by Kirstein to provide off-season summer employment to American ballet dancers. Here Martinez began to get more involved in the creative process: conceiving the ideas and librettos for ballets, if not choreographing them. He is most associated with the ballet Pastorela, although his exact contribution to its creation varies depending on the source.
As noted in the New York Times article below, Martinez also had several engagements at Rockefeller Center’s Rainbow Room with different dance partners.
New York Times, 12/1/40
Jose Martinez photographed by William Caskey
Lincoln Kirstein & his wife Fidelma Cadmus
Martinez eventually found himself in a triangular romantic situation similar to his friends in The PaJaMa Collective: Paul Cadmus and Jared French had a sexual relationship that continued after French married Margaret Hoening. The three all lived and worked together in a Greenwich Village townhouse at 5 St. Luke’s Place. When Lincoln Kirstein married Paul’s sister Fidelma, she moved into the apartment he shared with Martinez, who continued to live with them for the first year of the marriage.
Martinez was also photographed in the summer of 1938 sunbathing with Jared French and Paul Cadmus on the roof of their home/studios at 5 St. Luke’s Place.
The Ballet Caravan were on a South American tour through 1941 as the U.S. entered World War II. The troupe returned to a very different New York City than the one they had left. When Martinez was denied entry to the Army, he went to work at a hostel for Jewish refugees in Haverford, Pennsylvania where writer Christopher Isherwood was already working. The two were acquaintances through Kirstein but developed a close friendship that would sometimes turn physical, as detailed in Isherwood’s diaries.
For My Brother: A True Story By José Martinez As Told To Lincoln Kirstein original jacket designed by William Chappell.
Paul Cadmus photographed sketching José Martinez at 5 St. Luke’s Place.
In 1943, a book was published in the UK with the rather unwieldy title For My Brother: A True Story By José Martinez As Told To Lincoln Kirstein.
From the original dust jacket: “It is the life story of a young American of Mexican origin whose family has settled in a small town in Texas. It is at the same time a study in the contrast between two worlds, two ways of life: industrial, polyglot America, and the more primitive civilization of Mexico just over the border, where many of the hero’s relations still live. The story is told with great poetic feeling and a rare delicacy of perception in human relationships…”
The chronology on Kirstein’s website makes no mention of Martinez and lists For My Brother as fiction “based on a Mexican sojourn.”
The book jacket was designed by fellow dancer-turned-ballet designer William Chappell. For My Brother… is quite rare, as most of the 2,000 printed copies were said to have been destroyed in a warehouse bombed by the Nazis. A Canadian edition was later published by MacMillan.
Martinez was finally able to join the military in 1943 and remained in service until the end of the war.
Back in New York, he resumed his dance career with Ballet Society where he danced in the original 1946 productions of George Balanchine’s Four Temperaments and William Dollar’s Highland Fling.
And then…. to invoke A Chorus Line once again: “What do you do when you can no longer dance?”
A knee injury hastened the end of his performance career. A June 4, 1950 article in the Norfolk Virginian-Pilot chronicled his coming to terms with the transition. He drifted for a year before settling into the next chapter of his life as a dance teacher in Norfolk, Virginia.
Norfolk Virginian-Pilot, 7/27/47
Norfolk Virginian-Pilot, 6/12/49
After Virginia, Martinez founded other dance studios in Ohio and California, where he retired from teaching in the mid-1960’s.
Lincoln Kirstein died at aged 88 in January, 1996. José Martinez passed away 16 months later in Pasadena, California at age 84.
